Extremely entertaining if you don’t mind being morally corrupted at every juncture.
The Last House on the Left (2009)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:28
Fresh:11
Rotten:17
Average Rating:4.4/10
Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.
Rated: R [See Full Rating] for sadistic brutal violence including a rape and disturbing images, language, nudity and some drug use.
Runtime: 1 hr 50 mins
Genre: Horror/Suspense
Theatrical Release:Mar 13, 2009 Wide
Box Office: $32,721,635
Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt
Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome
Director: Dennis Iliadis
Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures
Get This Movie
Rent DVD
Click on the "ADD" button to put this movie into your Netflix queue.
Buy DVD
Reviews for The Last House on the Left
Boy, words can not express how much I just loathe and detest this movie.
In the end, like virtually every other remake that has been released recently, it's polished and predictable.
A shockingly mundane disappointment taken on its own and a deeply misguided refraction of the original.
Do not go to this movie if you simply seek entertainment. If you're a sociologist tracking the decline of civilization over the past four decades, you're in for a night of solid research.
The remake is much glossier but also takes place mostly in real time, using long takes, genuinely disturbing violence and stretches with no dialogue to pin you to the story.
Stripped of that sociological context, the extreme brutality here can't help but feel more than a little exploitative, especially where the film's female victims are concerned.
Unlike the slew of Michael Bay- produced slasher remakes, this is not an idea-free flick. And Craven (shepherding producer on this remake) believes in character. More, he believes, in engaging what the word "horror" means.
In this era of torture porn, this film seems intent on reconnecting audiences with the power and intensity of real-life, even quiet and casual creepiness.
What registers now is the simple cruelty of fate, as unlucky coincidences lead to the direst of consequences.
I suspect the movie's sound designers deserve some kind of an award: thanks to them, the damage one can inflict with small appliances and a giant grudge is all too clear.
Last House on the Left is so stomach-churningly anti-human it makes you wonder why Goldwyn...and Potter signed on.
Sure, the movie is predictable (a convenient storm causes power outages and therefore the dark house is creepily candlelit and who knows who's lurking behind the door), but it keeps its audience on edge.
Not only is it plodding and completely predictable, the carnage is rendered slowly and quasi-reverentially, making the whole brutal experience come off like torture porn.
The Last House on the Left is the best in the latest crop of slasher remakes. Admittedly, that is faint praise.
This film...is what it is: a stark story of bloodthirstiness quenched, first by the obvious antagonists, then by sympathetic, civilized characters who avenge the atrocities that have come before.
Latest News for The Last House on the Left
August 17, 2009:
RT on DVD: From Hannah Montana's Hoedown to Last House on the Left
This week, get your Miley Cyrus fix with Hannah Montana's feature-length trip to the big screen (Hannah Montana The Movie), or do a complete 180-degree turn with the latest... More...
June 12, 2009:
Five Favourite Films with Wes Craven
No director in recent history has made their particular genre as much their own as Wes Craven. The legendary helmer virtually redefined the horror movies with the likes of The... More...
March 12, 2009:
Critics Consensus: Race to Witch Mountain Doesn't Cast A Spell
This week at the movies, we've got a supernatural quest (Race to Witch Mountain, starring Dwayne "The Rock" Johnson and AnnaSophia Robb), a vengeance thriller (Last House on... More...
March 12, 2009:
Last House On The Left teases wickedly with a Macmansion torture chamber boasting homicide by candlelight, fried felons, vigilante harmed humans, and bare breasted ballsy babes in the wild. ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- The Last House on the Left at Rotten Tomatoes
- The Last House on the Left at IGN
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


