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Movies / On DVD / The Last House on the Left
The Last House on the Left

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The Last House on the Left (2009)

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Reviews Counted:28

Fresh:11

Rotten:17

Average Rating:4.4/10

Consensus: Excessive and gory, this remake lacks the intellectual punch of the 1972 original.

Rated: R [See Full Rating] for sadistic brutal violence including a rape and disturbing images, language, nudity and some drug use.

Runtime: 1 hr 50 mins

Genre: Horror/Suspense

Theatrical Release:Mar 13, 2009 Wide

Box Office: $32,721,635

Synopsis: Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four... Based on Wes Craven's landmark 1972 exploitation flick of the same name, LAST HOUSE ON THE LEFT is a brutal movie that exposes the darkest recesses of human depravity. The simple plot follows four criminals on the lam who encounter a pair of nubile female teens in a small mountain town. After murdering one and brutally raping the other and leaving her for dead, the cons seek refuge at a nearby summer house. The twist is that it's the very home inhabited by the parents of one of the victims. Upon learning that their house guests raped and tortured their 17-year-old daughter, the couple exact a revenge that arguably exceeds the excesses of the sociopathic gang. When originally released in 1972, LAST HOUSE ON THE LEFT was a shock to the system. Never before had a film shown such images of human wickedness. Grainy and low budget, the original film played like a maniacal cackle from the seedy underbelly of an America nursing a brutal post-Aquarian hangover. Things play out a little differently, though, in 2009. For starters, the movie actually looks quite beautiful, and the story’s idyllic mountain setting is milked for all it's worth. The performances are noteworthy as well, with Garret Dillahunt more than convincing as Krug, the gang's swaggering leader; and Monica Potter and Tony Goldwyn portraying the distressed parents with an effective mix of panic, courage, and blind instinct. In an age marked by both increasingly ghastly films and a public discourse that actually debates the merits of institutional torture, a film like LAST HOUSE ON THE LEFT really shouldn’t shock anyone. But in both the original and the remake, there’s a latent nihilism that permeates the world. The idea of a sense of lawlessness that cannot be understood or prevented, but only reacted against, is truly disquieting and makes this story unique in the annals of horror. [More]

Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt

Starring: Tony Goldwyn, Monica Potter, Sara Paxton, Garret Dillahunt, Martha MacIsaac, Riki Lindhome

Director: Dennis Iliadis

Director: Dennis Iliadis
Screenwriter: Carl Ellsworth
Producer: Wes Craven, Marianne Maddalena, Sean Cunningham
Composer: John Murphy
Studio: Rogue Pictures

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Release:

Aug 18, 2009

[DVD Details]
 
 

DVD Features:

  • Region [unknown]
  • Keep Case
  • Anamorphic Widescreen

Audio:

  • Dolby Digital 5.1 Surround - English, French, Spanish
  • Subtitles - English, SDH, French, Spanish

Additional Release Material:

  • Deleted Scenes
  • Featurette: A Look Inside
 
 
 
 

Reviews for The Last House on the Left

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1 - 20 (sorted by date)
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Extremely entertaining if you don’t mind being morally corrupted at every juncture.

Full Review Source: New York Magazine | comment 1 Comment
03/16/09
David Edelstein
David Edelstein
New York Magazine
Top Critic Icon Top Critic

It's that first 30 minutes that ruin this movie.

Full Review Source: At the Movies | comment 2 Comments
03/16/09
Ben Mankiewicz
Ben Mankiewicz
At the Movies
Top Critic Icon Top Critic

Boy, words can not express how much I just loathe and detest this movie.

Full Review Source: At the Movies | comment 5 Comments
03/16/09
Ben Lyons
Ben Lyons
At the Movies
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In the end, like virtually every other remake that has been released recently, it's polished and predictable.

Full Review Source: Washington Post | comment Comment
03/13/09
Mike Mayo
Mike Mayo
Washington Post
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A shockingly mundane disappointment taken on its own and a deeply misguided refraction of the original.

Full Review Source: Los Angeles Times | comment Comment
03/13/09
Mark Olsen
Mark Olsen
Los Angeles Times
Top Critic Icon Top Critic

Do not go to this movie if you simply seek entertainment. If you're a sociologist tracking the decline of civilization over the past four decades, you're in for a night of solid research.

Full Review Source: Toronto Star | comment Comment
03/13/09
Peter Howell
Peter Howell
Toronto Star
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The action scenes are particularly gripping.

Full Review Source: San Francisco Chronicle | comment Comment
03/13/09
Peter Hartlaub
Peter Hartlaub
San Francisco Chronicle
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The remake is much glossier but also takes place mostly in real time, using long takes, genuinely disturbing violence and stretches with no dialogue to pin you to the story.

Full Review Source: New York Post | comment 1 Comment
03/13/09
Kyle Smith
Kyle Smith
New York Post
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Stripped of that sociological context, the extreme brutality here can't help but feel more than a little exploitative, especially where the film's female victims are concerned.

Full Review Source: Hollywood Reporter | comment Comment
03/13/09
Michael Rechtshaffen
Michael Rechtshaffen
Hollywood Reporter
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A deliberate, underplayed horror movie that is truly shocking.

Full Review Source: Globe and Mail | comment Comment
03/13/09
Stephen Cole
Stephen Cole
Globe and Mail
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Unlike the slew of Michael Bay- produced slasher remakes, this is not an idea-free flick. And Craven (shepherding producer on this remake) believes in character. More, he believes, in engaging what the word "horror" means.

Full Review Source: Denver Post | comment Comment
03/13/09
Lisa Kennedy
Lisa Kennedy
Denver Post
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In this era of torture porn, this film seems intent on reconnecting audiences with the power and intensity of real-life, even quiet and casual creepiness.

Full Review Source: Dallas Morning News | comment Comment
03/13/09
Tom Maurstad
Tom Maurstad
Dallas Morning News
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What registers now is the simple cruelty of fate, as unlucky coincidences lead to the direst of consequences.

Full Review Source: Chicago Reader | comment Comment
03/13/09
J. R. Jones
J. R. Jones
Chicago Reader
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I suspect the movie's sound designers deserve some kind of an award: thanks to them, the damage one can inflict with small appliances and a giant grudge is all too clear.

Full Review Source: New York Times | comment 1 Comment
03/13/09
Jeannette Catsoulis
Jeannette Catsoulis
New York Times
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Last House on the Left is so stomach-churningly anti-human it makes you wonder why Goldwyn...and Potter signed on.

Full Review Source: New York Daily News | comment Comment
03/12/09
Joe Neumaier
Joe Neumaier
New York Daily News
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Sure, the movie is predictable (a convenient storm causes power outages and therefore the dark house is creepily candlelit and who knows who's lurking behind the door), but it keeps its audience on edge.

Full Review Source: Minneapolis Star Tribune | comment Comment
03/12/09
Kara Nesvig
Kara Nesvig
Minneapolis Star Tribune
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Not only is it plodding and completely predictable, the carnage is rendered slowly and quasi-reverentially, making the whole brutal experience come off like torture porn.

Full Review Source: USA Today | comment 6 Comments
03/12/09
Claudia Puig
Claudia Puig
USA Today
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This remake plods to its finale.

Full Review Source: Boston Globe | comment 3 Comments
03/12/09
Wesley Morris
Wesley Morris
Boston Globe
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The Last House on the Left is the best in the latest crop of slasher remakes. Admittedly, that is faint praise.

Full Review Source: Philadelphia Inquirer | comment Comment
03/12/09
Tirdad Derakhshani
Tirdad Derakhshani
Philadelphia Inquirer
Top Critic Icon Top Critic

This film...is what it is: a stark story of bloodthirstiness quenched, first by the obvious antagonists, then by sympathetic, civilized characters who avenge the atrocities that have come before.

Full Review Source: Chicago Tribune | comment Comment
03/12/09
Michael Phillips
Michael Phillips
Chicago Tribune
Top Critic Icon Top Critic
 
 
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