Still Walking strikes an extraordinary balance between the moment-to-moment pleasure of life and the inevitable regret that accompanies time's passing.
Still Walking (2009)
Tomatometer
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Reviews Counted:33
Fresh:33
Rotten:0
Average Rating:8.3/10
Consensus: Hirokazu Kore-eda's film may seem modest at first, but this family drama casts a delicate, entrancing spell.
Synopsis: Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly... Ryota is the 40-year-old son of the Yokoyama family. He has recently married a widow with a ten-year-old son from her previous marriage, who are joining him on a rare visit home. Only his elderly parents now live in the house, which once doubled as a flourishing medical clinic. The annex, a medical examining room still boasting a wall of pharmaceuticals, remains unchanged, though the patriarchal doctor has retired. Despite the unchanged outward appearances, everything has slightly aged. The family has gathered to remember Junpei, the eldest son, who died in a terrible accident fifteen years earlier. Ryota, an art restorer, has never lived up to his brilliant brother, who was supposed to take over the family clinic, and he remains uncomfortable with his father. He arrives home, determined to hide the fact that he is currently unemployed. His older sister, Chinami, has already arrived with her family and is cheerfully entertaining the extended family. Toshiko, their deceptively mild-mannered mother, emits a string of sarcastic remarks as she bustles around the kitchen preparing the family’s favorite foods. The scenes of the respective couples and family members alternately reminiscing and bickering around the food-laden table, will bring a family memory to everyone’s mind. Based on Kore-eda’s original screenplay, under his polished direction, all the characters come sharply to life, exchanging dialogue that both delights and tugs at your heart. As the film unfolds, brimming with compelling realism, it reveals the modest joys and gentle sorrows that accompany the realization that life must inevitably move on. The Yokoyama’s are a typical dysfunctional family, bonded by love as well as resentments and secrets. With a subtle balance of gentle humor and wistful sorrow, Kore-eda portrays just how annoying, and exactly how precious, family can be. --© IFC Films [More]
Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka
Starring: Hiroshi Abe, Yui Natsukawa, Kazuya Takahashi, Shohei Tanaka, Kirin Kiki, Yoshio Harada
Director: Hirokazu Kore-eda
Director: Hirokazu Kore-eda
Screenwriter: Hirokazu Kore-eda
Producer: Taguchi Hijiri, Yoshihiro Kato
Studio: IFC Films
Reviews for Still Walking
Still Walking is a miniaturist's masterpiece, the ebb and flow of familial love distilled to its essence.
This masterful family drama by Japanese writer- director Hirokazu Kore-eda commences on a deceptively tranquil note, lightly spiced with a needling humor.
The tone is perfect; this is one of those rare films that, despite being rooted firmly in the world around us, is utterly absorbing and capable of reducing the immediacies of life into abstract thoughts in the back of one's mind.
Kore-eda's scenarios have always tended toward quiet yet troubling contemplation, but Still Walking is probably his most subdued yet, with unmistakable echoes of the great Yasujiro Ozu.
As opposed to Ozu’s haiku-like dialogue, Koreeda’s exchanges unfold with an everyday homeliness; he subtly reveals seething resentments and regrets while never losing sight of his characters’ fallible humanity.
...seems more French than Japanese with its chaotic gathering and multi-layered and constant dialogue.
Though [Koreeda] has made a film of droll and dry observational precision, its emotional minimalism is almost fetishistic -- and, by the end, a tad frustrating.
It will strongly move you, but you won't be able to say exactly why. It illuminates 24 hours in the life of a Japanese family, and though it may appear that not much is happening, by the end everything is revealed.
The director has said that, though the story was inspired by the deaths of his parents, he hoped to make a film "brimming with life." He's succeeded.
The presentation of these elements is never less than patient, tranquil and thoughtful.
One fears to blink, because some essential element in the story will be lost and, with it, some nuance, of which there are many.
If anyone can be considered an heir of the great Yasujiro Ozu, it might be Hirokazu Kore-Eda, the writer and director of Still Walking.
Still Walking is a triumph of mood and storytelling imbued with fine performances. Kore-eda creates more bombast in the quiet of a living room than I've seen from all this year's summer blockbusters.
A captivating, heartfelt and character-driven tapestry brimming with well-nuanced performances, exquisite cinematography and just the right balance of delicate humor.
Kore-eda, talented director that he is, never allows the story to sink into soap-opera melodrama, and he refrains from pointing fingers.
A gentle, absorbing drama that carefully modulates sentimentality with an eye for the way family members can be casually cruel to each other and outsiders.
Kore-eda has an extraordinary grasp on his characters, modest people who clearly mean a great deal to him. They will to you, as well.
Hirokazu Kore-Eda’s latest effort, further entrenches my belief he should be considered one of Japan’s living treasures.
Latest News for Still Walking
August 27, 2009:
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