Average Rating: 8.4/10
Reviews Counted: 36
Fresh: 35 | Rotten: 1
No consensus yet.
Average Rating: 7.5/10
Critic Reviews: 9
Fresh: 8 | Rotten: 1
No consensus yet.
liked it
Average Rating: 4.3/5
User Ratings: 40,573
Fresh off of the international success of La Dolce Vita, master director Federico Fellini moved into the realm of self-reflexive autobiography with what is widely believed to be his finest and most personal work. Marcello Mastroianni delivers a brilliant performance as Fellini's alter ego Guido Anselmi, a film director overwhelmed by the large-scale production he has undertaken. He finds himself harangued by producers, his wife, and his mistress while he struggles to find the inspiration to
Unrated, 2 hr. 15 min.
Drama, Art House & International, Science Fiction & Fantasy, Comedy
Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
Jun 25, 1963 Wide
Dec 4, 2001
All Critics (36) | Top Critics (9) | Fresh (39) | Rotten (1) | DVD (14)
Unless Fellini's problem has been preying on the mind of the viewer, he may not care to take on the director's doubts and confusions.
Top CriticIt's Fellini's last black-and-white picture and conceivably the most gorgeous and inventive thing he ever did.
Here is the author-director picture par excellence, an exciting, stimulating, monumental creation.
Here is a piece of entertainment that will really make you sit up straight and think, a movie endowed with the challenge of a fascinating intellectual game.
Somehow, the movie is more than the dated crisis of a naval-contemplating artist. It's about the inability in all of us to make sense of our lives, put it all together and come up with something meaningful.
[Fellini] is that rare sort of artist who can be loved, revered and just barely tolerated, all at the same time.
A marvellous and immensely personal piece of self analysis, which journeys into the heart, mind and soul of its illustrious director, Frederico Fellini.
gets to the core of creativity
... a delightful piece of filmmaking full of imaginative flights of creative delirium and accomplished with wit, verve, style, grace, and a tongue-in-cheek joy.
It's still not much more than a smirk-provoking, Oulipian ode to the thicket of middle-aged sexuality, but on Blu-ray the thicket appears far more paean-worthy.
There's no clean way to boil the characters of 8 1/2 down to their psychoanalytical essence.
Fellini has made many masterpieces, but this 1963 Oscar-winner is arguably one of his most brilliant and influential films, boasting a seminal performance from Marcello Mastroianni.
[A] fascinating and highly-influential masterpiece from Federico Fellini.
Amiably spiking all criticism through a gloomy scriptwriter mouthpiece, Fellini pulls a multitude of rabbits out of the showman's hat.
a true masterpiece
Fellini's manic, larger-than-life 8 1/2 rules as the king of all Italian movies.
Fellini was so incredibly creative that when he was mentally blocked, he turned his inner struggle into a phenomenal masterpiece of introspection.
Astute beyond words.
Fellini's flights into the surreal are his self-examination and confession. Alas, unlike Bergman, his confession is without moral rigor; he wants to be indulged, not absolved.
a wonderfully self-indulgent meditation on creative blocks and personal crises-the film director as tortured soul
Most overrated film of all time.
To say that 8 1/2 is a biopic would be only part of the truth. The film is, in fact, an autobiography of Guido Anselmi, the alter ego of the film's own director and screenwriter. The crucially notable fantasy twist, therefore, must tell the viewer one of two things: either Fellini was taking a leap of faith, or he is
October 9, 2011Super Reviewer
Guido: All the confusion of my life... has been a reflection of myself! Myself as I am, not as I'd like to be. "A picture that goes beyond what men think about- because no man ever thought about it in quite this way."8 1/2 may just be the most perfect film I have seen. Fellini gives us a based somewhat on him, director
October 28, 2011
Super Reviewer
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