An overly-optimistic preacher with a penchant for taking in lost causes to help around his remote church finds his rose-tinted view of the world challenged by a psychotic neo-Nazi he is trying to reform in this jet black comedy from Green Butchers screenwriter/director Anders Thomas Jensen. Vicar Ivan (Mads Mikkelsen) prides himself on his efforts to help those in need by offering them a variety of odd jobs around the church and spreading the good word. After "adopting" a violent Saudi immigrant
and a drunken tennis pro with a history of sexual assault, Ivan is approached by Adam (Ulrich Thomsen) -- a decidedly non-reformed neo-Nazi planning to lie low in the countryside for a spell before returning to the city to once again wreak havoc. When Ivan inquires as to what his new charge's goal will be during his stay in the countryside, the snide hooligan sarcastically states that he would like to bake a cake -- a response which prompts the gullible Ivan to place him in charge of the church's cherished apple tree. As ravens immediately descend upon the tree, Ivan concludes that Satan is attempting to prevent Adam from realizing his true potential. Meanwhile, Adam takes it upon himself to give the cheery clergyman a crash course in the harsh realities of life. ~ Jason Buchanan, Rovi
A film that asks us to have a pretty high tolerance of easy stereotypes and most of its comedy comes because you're not sure what else to do but laugh. When the ironic reversal kicks in, the film turns semi-serious and gets, if anything, a little boring.
Horis na dokimazei Dogma-tika tis antohes soy, den einai liges oi fores poy tis apsifa paizontas me to rythmo, eno i halari ploki einai profanes oti den endiaferetai kai idiaitera na soy dosei heroylia na piasteis
This Danish comedy, like most of that country's dramas, is dark, dark, dark. The film's humor offers an odd blend of subversively sly narrative mixed with bursts of sudden, sharp violence and goofy slapstick.
For most of its length it's wonderfully wicked -- Jensen actually forces us to sympathize with the neo-Nazi's attitude toward the minister -- but the ending unfortunately mitigates the nastiness ...
Director Jensen (who co-scripted After the Wedding) breaks away from Dogme to make a more stylized film, using a controlled surface that disarms us with surreal happenings and well-executed absurdity.
"Let's stop with the accusations. It was an old cat. He just happened to fall down while we were shooting."There are dark comedies. There are pitch black comedies. And then, there's Adam's Apples.If you want to watch a movie that takes some of the most depressing, horrible things you can think of, and makes them
absolutely hilarious, this is the movie for you.I won't spoil much of the story, as watching what unexpectedly happens throughout is one of the pleasures of the movie. It begins with a priest named Ivan driving an unrepentant neo-Nazi named Adam from prison to the church where he will be performing his community service. Ivan gives Adam the choice of one goal to set for himself to complete, before he leaves. Ivan, completely uncaring, chooses to make an apple pie from the apple tree outside the church, once they are ripe.From there, things quickly get out of hand. Let's just say that the sensitive need not apply. I recommend Adam's Apples to people with a dark sense of humor, who are fine with laughing at incredibly inappropriate (yet incredibly amusing) things. This movie was made for people like you and me. I'm not referring to low-brow humor. This is a different animal. An utterly unique (as far as my experience goes), intelligent comedy that ultimately brings sunshine forth from some of the darkest clouds you've ever seen (both figuratively and literally).
On the one hand we criticize films for conforming or being unimaginative, but when something totally original comes along we're not quite sure how to take it. Such is the case with Adam's Apples. I had to watch it twice. First to be repulsed by it's violence and cynicism, then once again to be open to it's dark
humor and wonderful bizarreness. Freakishly delightful.
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