After The Wedding (2007)

As a critic, I don't always have the luxury of choosing everything I see. And a lucky thing, too, because director Susanne Bier's After the Wedding is making a strong argument that my instincts about Danish cinema are wrong wrong wrong.

Une oeuvre aussi sincère que les intentions de ses protagonistes qui épate par l'efficacité d'une mise en scènes dont les rouages se veulent entièrement au service du discours

Un buen ejemplo de cómo se puede hacer una película madura y atrapante con el mismo argumento base de una telenovela mexicana.

It's a treat when a movie offers characters this rich and layered.

One of the very best films to be released in America in the first third of 2007.

After the Wedding is seamless, holding our attention, engaging our emotions and satisfying our cinematic needs with a story of human weakness, strength, heart and the capriciousness of fate

Every scene is kissed with irony, the characters all seem believably flawed, the narrative unfolds with just the right storytelling panache and everything else about the production seems right.

Those willing to overlook its emotional grandstanding will find much to admire and even more to think about in this Oscar-nominated Danish drama.

Uma obra de intensa carga emocional.

Bier [is] the latest in a long line of filmmakers who have mastered the art of making movies about people we can all thank God we’re not.