Average Rating: 6.6/10
Reviews Counted: 190
Fresh: 139 | Rotten: 51
A curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism, A.I. is, in a word, fascinating.
Average Rating: 6.4/10
Critic Reviews: 41
Fresh: 28 | Rotten: 13
A curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism, A.I. is, in a word, fascinating.
liked it
Average Rating: 3.1/5
User Ratings: 381,875
Get your friends' movie recommendations by adding Rotten Tomatoes to your Facebook Timeline.
Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. Haley Joel Osment stars as David, a "mecha" or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance.
Jun 29, 2001 Wide
Mar 5, 2002
$77.6M
Dreamworks
All Critics (194) | Top Critics (42) | Fresh (149) | Rotten (51) | DVD (46)
A confined domestic drama, a considerable morality tale, a fleeting futuristic noir, a persecution parable, an on-the-nose fairy tale adventure... and then it keeps going.
Temperamentally, Spielberg and Kubrick are such polar opposites that A.I. has the moment-to-moment effect of being completely at odds with itself.
The most philosophical film in Kubrick's canon, the most intelligent in Spielberg's, and quite possibly the film with the most contemporary relevance that either one has made since Kubrick released Dr. Strangelove in 1964.
The most controversial conversation-piece to hit the dumbed-down American movie scene since heaven knows when.
Technically dazzling yet emotionally accessible to the inner child in everyone from 9 to 90.
Its heart is in the right place. But the intelligence behind the rest of the movie is, well, a little too artificial.
Flawed, to be sure, but beautifully crafted, unimaginably complex, visually dazzling, rich with metaphor and deeply affecting.
A.I.'s Blu-ray debut should remind audiences why this fascinating fairy tale remains Steven Spielberg's most audacious, incomplete, and menacing film.
...a long, expansive, always illuminating but never didactic look at life and love and what they mean to Mankind. (Blu-ray Edition)
An unsettling sci-fi fairytale mélange of "Pinocchio" and "The Wizard of Oz" that's elegantly written, visually opulent and thematically challenging and discontented. One of Steven Spielberg's finest, and most fiercely misread, films.
Provocative movie suitable for teens.
A "good" A.I. would be of infinitely less value than the A.I. that we have...a staggering creation.
Steven Spielberg tries to rescue the world's most elusive filmmaker from an unhappy ending.
Shows a more complicated understanding of childhood than you would expect...
At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.
This may be the first solipsistic epic since 2001, but it has none of that film's wonder or mystery.
It's odd to see the nearly infallible Steven Spielberg so visibly unsure of himself.
In retrospect, it seems inevitable that a Steven Spielberg interpretation of a Stanley Kubrick story would be an experiment in cinematic polarization.
At heart it's a terribly anguished expression of rejection, loneliness and love. If only it knew when to stop.
Steven Spielberg's A.I.: Artificial Intelligence is a return to sci-fi in true form.
One of Spielberg's most ambitious and problematic films, a result of trying to blend two divergent sensibilities, his and Kubrick's, but as a sci-fi, it has both thematic and visual merits.
The demands of the story would have been better served by Kubrick.
[The] middle section [of A.I.] contains perhaps Spielberg's finest work, ever.
If you didn't already know: Stanley Kubrick had the rights to film this Brian Aldiss short story, but when he died, Steven Spielberg took the project over. The aesthetic bears a resemblance to Kubrick's 2001, and also, in the middle third, to Ridley Scott's Blade Runner, or Tron. Plot-wise, you could compare it to The
April 22, 2007Super Reviewer
Can a robot be taught to love and be genuinely loved in return? Exploring this very fascinating subject, as well as a number of other philosophical themes, this well-crafted sci-fi yarn has much to offer when it comes to engaging moral debate. Spielberg, who took over the helm for this film after the sudden passing of
April 12, 2007Super Reviewer
| 29% | The Vow |
| 93% | Mission: Impossible Ghost Protoc... |
| 87% | The Girl with the Dragon Tattoo |
| 28% | Underworld Awakening |
| 85% | Chronicle |
| 65% | The Woman in Black |
| 25% | This Means War |
| 94% | The Secret World of Arrietty |
| 36% | Red Tails |
| 88% | Certified Copy (Copie Conforme) |
The Avengers stays strong at No. 1
Trailer: In bed with Zoe and Bradley
Video: Your friendly four minute preview
Latest trailer from Michel Gondry