Average Rating: 6.2/10
Reviews Counted: 141
Fresh: 94 | Rotten: 47
If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.
Average Rating: 5.8/10
Critic Reviews: 35
Fresh: 20 | Rotten: 15
If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.
liked it
Average Rating: 3.6/5
User Ratings: 262,961
Bret Easton Ellis's dark and violent satire of America in the 1980s is brought to the screen in this unsettling drama with blackly comic overtones. Patrick Bateman (Christian Bale), the son of a wealthy Wall Street financier, is pursuing his own lucrative career with his father's firm. Bateman is the prototypical yuppie, obsessed with success, fashion, and style. He is also a serial killer who murders, rapes, and mutilates both strangers and acquaintances without provocation or reason. Donald
Apr 14, 2000 Wide
Sep 5, 2000
Lions Gate Films
All Critics (141) | Top Critics (35) | Fresh (96) | Rotten (50) | DVD (27)
The slick satire cleverly equates materialism, narcissism, misogyny, and classism with homicide, but you may laugh so loud at the protagonist that you won't be able to hear yourself laughing with him.
It's hard to summon up enthusiasm for a performance so rooted in bloody banality. I mean, as Patrick, Bale's most emotionally pressing dilemma is: Chainsaw or butcher knife?
American Psycho is nearly perfect for what it is, but before we go on, we should ask what that actually amounts to. Can something with so rigid a thesis be a real work of art?
It needs to be seen and appreciated, like a serpent in a glass cage.
Harron's Psycho reps an impressive reclaiming of dubious material.
Conceptually, this savage cartoon ends up as trapped in surfaces as its shallow antihero: it's all dressed up with nowhere to go.
A brave adaptation of a bracing book.
The movie is elegantly shot, but based on what's on screen, it's hard to tell what motivated Mary Harron to direct this emotionally vapid feature
Mary Harron asks what's more unnerving - exaggerated, imagined violence or vacuous realities some wish to be real, psychosis as much in the construct as the character. Thus, "Psycho's" savagery goes beyond a simple screed against 1980s excess and greed.
much like the 80's era that it personifies
Harron' s incisive eye and Bale' s bravura performance carry the day.
American Pyscho is one of those films that makes you laugh uncomfortably throughout and you just walk away feeling disgusted. The flick is definitely an underrated masterpiece.
One can picture Kubrick handling this material with a similar elegant malevolence.
The real shame about Psycho is that there are glimmers of the very smart satire that could've been.
It's a highly entertaining movie with enough edgy humor to prickle our senses.
The film makes wonderfully unsettling entertainment; crucially -- and gloriously -- Bale nails Bateman with a sublimely dead-eyed and deadpan performance.
Mary Harron and Christian Bale create an almost magical balance between the tragic and comic elements of this story.
Production designer Gideon Ponte gives a terrific look to the film, with a hard, ultramodern design that lends sterility to Patrick's personal killing field.
I rewatched this for the first time in a long time . . . and I have to say WOW. Christian Bale is just crazy good in this film.
May 4, 2008Super Reviewer
For me, the old adage "you haven't seen a film unless you've seen it twice" couldn't be more applicable when it comes to American Psycho. Upon my first viewing years ago, I didn't think much of it; seeing it last night on the big screen was a dramatically different experience. As a film critic said, this film is a
January 14, 2012Super Reviewer
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