Popiól i diament (Ashes and Diamonds) (1958)
Average Rating: 8.4/10
Reviews Counted: 19
Fresh: 18 | Rotten: 1
No consensus yet.
Average Rating: 8/10
Critic Reviews: 6
Fresh: 6 | Rotten: 0
No consensus yet.
Average Rating: 4.1/5
User Ratings: 3,399
This is the last film in the trilogy that began Andrzej Wajda's career as a director. Preceding this wartime drama are Pokolenie (1955) and Kanal (1957). Once again, Wajda presents a strong anti-war statement, this time in the personae of two men who are given orders on the last day of World War II in Poland to murder a leading communist. The orders come from the part of the resistance that opposes the new communist regime. One of Wajda's favorite performers and a friend, Zbigniew Cybulski,
Oct 3, 1958 Wide
Nov 18, 2003
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Only Wajda, though, could muster such a mood, with everyone feeding on smoke and booze, and the assembled company, at the end, dancing to a cracked polonaise.
Taut thriller about immediate postwar Poland also has a heavier theme of the futility of killing and violence. Its technical knowhow, fine acting and directorial prowess make this an above average drama.
Wajda's way is the sweet smell of excess, but some scenes remain powerfully memorable -- the lighting of drinks on the bar, the upturned Christ in a bombed church, and Cybulski's prolonged death agonies at the close.
Zbigniew Cybulski as the hero is sensitive, attractive and alert -- a lad with humor and compassion. One is strongly drawn to him.
Wajda tends toward harsh and overstated imagery, but he achieves a fascinating psychological rapport with his lead actor, Zbigniew Cybulski.
Richly composed and photographed, with atmosphere aplenty, Ashes and Diamonds suffers somewhat from an excess of loose plot ends and of underdeveloped characters, perhaps a consequence of having been based on a prestigious novel.
Wajda's deeply romantic and personal vision, inspired by both Italian neo-realism and by the more baroque images of Expressionism, makes Ashes and Diamonds a gripping experience.
When you watch Ashes And Diamonds, remember, you're not just seeing a film: you're looking at a manifesto that has found a voice and a face and speaks for a whole deceived generation.
The final installment in Andrzej Wajda's war trilogy - following "A Generation" (1954) and "Kanal" (1956) - is a coolly romantic wartime movie about Maciek, a young Polish resistance fighter whose demise coincides with Germany's surrender.
The third panel in Wajda WWII trilogy (that began with Generation and continued with Kanal) is considered one of his best works; it also shows why Cybulski was labeled the Polish James Dean.
This taut political thriller is a fine example of one of the first Polish New Wave films.
This great film by Andrzej Wajda is considered the greatest Polish film ever made, and I'm sure that's not too far off the mark.
An overlooked masterpiece of Eastern European cinema, this eminently powerful and sophisticated drama delicately dissects issues and themes rarely visited by war movies.
Cybulski, called the Polish James Dean, gives a broodingly intense performance.
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