There is really just a lot to like here.
Bandslam (2009)
Tomatometer
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Reviews Counted:20
Fresh:18
Rotten:2
Average Rating:6.9/10
Consensus: Bandslam is an intelligent teen film that avoids teen film cliches, in an entertaining package of music and coming-of-age drama.
Rated: PG [See Full Rating] for some thematic elements and mild language
Runtime: 1 hr 51 mins
Genre: Musical & Performing Arts
Theatrical Release:Aug 14, 2009 Wide
Box Office: $5,205,343
Synopsis:
Disney Channel superstars Vanessa Anne Hudgens (High School Musical 1 & 2, High School Musical 3) and Alyson Michalka (Phil of the Future, pop duo Aly and AJ) join Gaelan Connell (Chocolat), Scott...
Disney Channel superstars Vanessa Anne Hudgens (High School Musical 1 & 2, High School Musical 3) and Alyson Michalka (Phil of the Future, pop duo Aly and AJ) join Gaelan Connell (Chocolat), Scott Porter (Speed Racer) and Lisa Kudrow ("Friends") in the music-driven comedy BANDSLAM. When gifted singer-songwriter CHARLOTTE BANKS (Michalka) asks new kid in town WILL BURTON (Connell) to manage her fledgling rock band, she appears to have just one goal in mind: go head-to-head against her egotistical musician ex-boyfriend, BEN (Porter), at the biggest event of the year, a battle of the bands.
Against all odds, their band develops a sound all its own with a real shot at success in the contest. Meanwhile, romance brews between Will and SA5M (Hudgens), who plays a mean guitar and has a voice to die for. When disaster strikes, it's time for the band to make a choice: Do they admit defeat, or face the music and stand up for what they believe in? --© Summit Entertainment
Starring: Gaelan Connell, Vanessa Hudgens, Alyson Michalka, Lisa Kudrow
Starring: Gaelan Connell, Vanessa Hudgens, Alyson Michalka, Lisa Kudrow, Scott Porter, David Bowie
Director: Todd Graff
Director: Todd Graff
Screenwriter: Josh A. Cagan, Todd Graff
Story: Josh A. Cagan
Producer: Elaine Goldsmith-Thomas
Studio: Summit Entertainment
Reviews for Bandslam
These are characters that make mistakes, they redeem themselves, and they grow throughout the course of the film.
Bandslam is hardly the definition of a great movie, but it is pleasant and bright and doesn't insult its audience's intelligence. And that's as rare and welcome as a well-crafted three-minute pop song.
Tidy, heartfelt direction by Todd Graff (“Camp”); astute song references; and a David Bowie cameo transcend the formula underpinnings and keep Bandslam buoyant, gratifying and, yes, rocking.
The movie has a few good tunes and some charming comic dash, at least at first.
Bandslam consistently exceeds current teen-flick standards thanks to its snarky humour, its strong musical sequences and its ability to convey the excitement the characters feel both about performing and forming new friendships.
Simultaneously shiny and retro, calibrated and uncalculated, familiar and unpredictable.
The bonus in this modest charmer? Not a single major female character, including Wills single mother played by Lisa Kudrow, is subjected to the usual Hollywood rom-com demonization.
In a goofily endearing performance reminiscent of the young John Cusack, Connell is charming and relatable. Likewise, Kudrow, as the overprotective mother who both fears and wants more independence for her son.
Director Todd Graff does have a keen understanding of kids in the world of performing arts, as he shows here and in his earlier and better film Camp.
It feels like a missed opportunity, but perhaps is a blessing since Bandslam's dialogue is much more pat than Hughes's quotable writing.
Rife with spirit-lifting scenes of teens singing their hearts out. And it feels just that good, in a quirky-smart way.
Instead of the vapid drivel you'd expect from their Disneyfied crowd, Bandslam turns out to be a charming (and well-soundtracked: Hello, Wilco!) little parable for the tween set about first crushes, friendship and like, duh, the power of music.
Within the context of modern family comedies and the vast enabling wasteland of tweener TV, these people feel almost three-dimensional.
Yes, the plot is totally predictable. But the smart script consistently tweaks the formula, allowing director/cowriter Graff to pull off the near-impossible: making a movie that neither sells out nor talks down to teens.
This isnt a breakthrough movie, but for what it is, its charming, and not any more innocuous than it has to be.
There's enough of a strong filmmaking backbeat in Bandslam to carry the movie's light tune.
Todd Graff's film is written with a desperate cleverness that clamors for attention over the brainless against-the-odds music-competition plot.
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July 13, 2009:
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| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
| | Leap Year | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
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