Resembles not the artist's churning mind but the filmmakers' conjoined colon
Barton Fink (1991)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:49
Fresh:44
Rotten:5
Average Rating:7.6/10
Runtime: 1 hr 56 mins
Genre: Comedies
Synopsis: BARTON FINK is steeped in homage, to everything from Stanley Kubrick's THE SHINING to Roman Polanski's THE TENANT, in which inanimate objects (hotels, apartments) represent the decaying mind of the... BARTON FINK is steeped in homage, to everything from Stanley Kubrick's THE SHINING to Roman Polanski's THE TENANT, in which inanimate objects (hotels, apartments) represent the decaying mind of the protagonist. Like Jack Torrance (Jack Nicholson) at the haunted Overlook Hotel, Barton is at the Hotel Earle to write but is having problems. The wallpaper keeps falling down, oozing out a sticky substance (brain matter?) as weird noises and whispers appear to come from nowhere and everywhere. Director of photography Roger Deakins takes long shots of the narrow hallway, filled with shoes to be shined, that echo Kubrick's long shots of the Overlook hallways. With the many references to the mind and the head, the screenplay imagines Barton's hotel room as the inner workings of his decaying mind, as Roman Polanski did with the apartment in THE TENANT. And the hotel itself might just be hell; when Barton first enters the seemingly vacant, rotting hotel and rings the bell, Chet (Coen regular Steve Buscemi) comes up from a trap door in the floor as if he has emerged from the bowels of the underworld. The wrestling picture that is screened for Barton to give him ideas is called DEVIL ON THE CANVAS. Next-door neighbor Charlie Meadows (John Goodman) sweats more and more as the film continues, getting hotter and hotter, and is always throwing around the words "damn," "hell," and "Jesus." Finally, the painting on the wall over the typewriter that Barton stares into longingly shows a woman on a beautiful beach, where the soothing waves seem to be audible; it is as if that picture represents the heavenly world outside while Barton is trapped in the hell inside. The Coen brothers wrote BARTON FINK in about three weeks while unable to complete the screenplay for MILLER'S CROSSING; it seems that their severe case of writer's block put them through their own personal hell, ending in a fiery finale of creativity run amok. [More]
Starring: John Turturro, John Goodman, Michael Lerner, Judy Davis
Starring: John Turturro, John Goodman, Michael Lerner, Judy Davis, Jon Polito, John Mahoney, Steve Buscemi
Director: Joel Coen
Director: Joel Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Ethan Coen
Composer: Carter Burwell
Get This Movie
Reviews for Barton Fink
Gnomic, claustrophobic, hallucinatory, just plain weird, it is the kind of movie critics can soak up thousands of words analyzing and cinephiles can soak up at least three espressos arguing their way through.
Again the Coens take familiar movie tropes and twist them into something new. This may be their most haunting movie.
The film's period decor, mood lighting and artful camerawork are beautiful, at times thrilling, to look at.
This creepy satire is full of laughs and flaky twists, but by the end you may still be scratching your head.
Fascinating tale by the Coen brothers, among their best, with standout work by leads Turturro and Goodman.
The worst of the Coens' genre-ransacking; mean and self-congratulatory.
Somehow everything coheres, thanks to the Coens' superb writing and assured direction, and a roster of marvellous performances. The result works on numerous levels, thrilling the mind, ears and eyes, and racking the nerves.
Written during their own creative block, Joel and Ethan Coen's noirish satirical allegory decodes the myth of the "sensitive" artist, the mysteries of the creative process, and the ambiguities of Hollywood authorship.
... a courageous and horrific glimpse through the ego and courage of the human spirit into the emptiness of even the kindest human being's heart.
Another great turn by the Coen brothers, with regulars Turturro and Goodman at their best.
The Coens’ unsettling evocation of isolation and madness is vividly realized; their ultimate meaning is insanely obscure.
Latest News for Barton Fink
November 07, 2007:
Total Recall: Welcome to Coen Brothers Country
Before expanding wide on November 21, No Country for Old Men (90 percent) will play in select cities this Friday riding a wave of huge expectations. The Cormac McCarthy-based... More...
February 02, 2006:
Coens Aim to Tackle New "Country"
According to The Hollywood Reporter, Joel & Ethan Coen's next film will be an adaptation of Cormac McCarthy's "No Country for Old Men." Word is that Tommy Lee... More...
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 95% 95% | Star Trek |
| 67% 67% | Bruno |
| 47% 47% | My Sister's Keeper |
| 66% 66% | Is Anybody There? |
| 82% 82% | Thirst |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Barton Fink at Rotten Tomatoes
Fresh Links
Featured

TECHLAND gives us a first look at the extras, including Leonard Nimoy's last day on set!

AV Club looks at a beloved cult classic, Sam Raimi's Army of Darkness.

TIME offers us a closer look at the characters from the latest Twilight film.

Moviefone lists their choices for the least attractive men in Hollywood.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


