Average Rating: 6.6/10
Reviews Counted: 47
Fresh: 37 | Rotten: 10
Director Tim Burton's dark, brooding atmosphere, Michael Keaton's work as the tormented hero, and the flawless casting of Danny DeVito as The Penguin and Christopher Walken as, well, Christopher Walken make the sequel better than the first.
Average Rating: 5.8/10
Critic Reviews: 9
Fresh: 6 | Rotten: 3
Director Tim Burton's dark, brooding atmosphere, Michael Keaton's work as the tormented hero, and the flawless casting of Danny DeVito as The Penguin and Christopher Walken as, well, Christopher Walken make the sequel better than the first.
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In this first sequel to 1989's Batman, the Caped Crusader (Michael Keaton) is up against the Penguin (Danny DeVito), the hideously deformed scion of a wealthy Gotham City family. The Penguin plots with evil businessman Max Schreck (Christopher Walken) to become mayor and then turn Gotham into a cathedral of crime. Upon overhearing these plans, Schreck's mousy secretary Selena Kyle (Michelle Pfeiffer) is tossed from a high-rise window by her boss. Rescued by a covey of kittens, Selena transforms
PG-13, 2 hr. 6 min.
Jun 19, 1992 Wide
Apr 29, 1997
Warner Bros. Pictures
All Critics (47) | Top Critics (9) | Fresh (43) | Rotten (10) | DVD (23)
Something about the filmmaker's eccentric, surreal, childlike images seems to strike a deep chord in the mass psyche: he makes nightmares that taste like candy.
Exhaustingly inventive.
More of the same, but nowhere near as good (funny, disturbing, obsessive) as the uneven original, revealing arrested development on every level.
Where Burton's ideas end and those of his collaborators begin is impossible to know, but result is a seamless, utterly consistent universe full of nasty notions about societal deterioration, greed and other base impulses.
Because the film's predominant motif is that of wounded individuals re-inventing themselves as wily villains, its most memorable episodes are early ones explaining each main character's transformation.
Burton uses the summer's most explosively entertaining movie to lead us back into the liberating darkness of dreams.
A darkly violent take on the comic-book hero.
O design de produção é inspirado e Keaton busca conferir peso dramático ao herói, mas o roteiro é pedestre e Pingüim jamais se torna um vilão interessante. Por outro lado, a sensualidade de Pfeiffer quase redime o filme. Quase.
Bigger, better and more sophisticated than the first outing.
The fights and chases are incoherent and over-the-top, with the result being confusion rather than suspense.
This is less of a sequel than reworking of the first film's themes, with greater attention paid to the villains (all colorful and more intriguing than the hero) and more visually inventive set pieces, albeit contained in a less coherent work.
Bigger, louder, more relentlessly action-packed than its predecessor, Batman Returns batters its audience into submission.
We can finally look back on these films and give them their due without undue feelings of frustration getting too much in the way...
A bizarre mixture of poetic brilliance and clumsy ineptitude.
[The villains have] fascinating stories to crowd Keaton's hero out of the picture.
About the only thing it had going for it was Pfeiffer in a catsuit, stiletto heels, with a whip. Wowsers.
A corporate shark teams up with a mutant sewer dweller to try and take over Gotham City not counting on interference from both Batman and a vengeful employee reborn as the patent leather clad Catwoman. Tim Burton's sequel to his "nice try but no cigar" re-invention of Batman is a big improvement in every department.
November 5, 2006
Super Reviewer
Perfect casting choice and a worth sequel, it's always films like this that keep you truly entertained until the credits.
October 27, 2011Super Reviewer
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