Like steel pins poking through the eyes
Because I Said So (2007)
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Reviews Counted:154
Fresh:8
Rotten:146
Average Rating:3.2/10
Consensus: Overly reliant on caricatures and lacking any human insight, Because I Said So is an unfunny, cliche-ridden mess.
Rated: PG-13 [See Full Rating] for sexual content including dialogue, some mature thematic material and partial nudity
Runtime: 1 hr 42 mins
Genre: Comedies
Theatrical Release:Feb 2, 2007 Wide
Box Office: $42,640,890
Synopsis: Powerhouse actresses Diane Keaton, Mandy Moore, Lauren Graham and Piper Perabo serve up the laughs when they join wickedly funny director Michael Lehmann (The Truth About Cats & Dogs, 40 Days and... Powerhouse actresses Diane Keaton, Mandy Moore, Lauren Graham and Piper Perabo serve up the laughs when they join wickedly funny director Michael Lehmann (The Truth About Cats & Dogs, 40 Days and 40 Nights, Heathers) in his new film about cutting the apron strings, Because I Said So. Keaton stars as Daphne Wilder, a mother whose love knows no bounds or boundaries. She is the proud mom of three daughters: stable psychologist Maggie (Graham), sexy and irreverent Mae (Perabo) and insecure, adorable Milly (Moore)-who, when it comes to men, is like psychotic flypaper. In order to prevent her youngest from making the same mistakes she did, Daphne decides to set Milly up with the perfect man. Little does Milly know, however, that her mom placed an ad in the online personals to find him. Comic mayhem unfolds as Daphne continues to do the wrong thing for the right reasons...all in the name of love. In a hilarious battle of strong wills, the mother-daughter dynamic is tested in all its fierce, wacky complexity. The girls help Daphne finally discover the truths and impossibilities of motherly love, all while trying to answer the questions: where does it begin and where should it end? --© Universal Pictures [More]
Starring: Diane Keaton, Mandy Moore, Piper Perabo, Tom Everett Scott
Starring: Diane Keaton, Mandy Moore, Piper Perabo, Tom Everett Scott, Neil Hopkins, Lauren Graham, Stephen Collins, Tony Hale, Gabriel Macht, Ty Panitz
Director: Michael Lehmann
Director: Michael Lehmann
Screenwriter: Jessie Nelson, Karen Leigh Hopkins
Producer: Paul Brooks
Studio: Universal Pictures
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Reviews for Because I Said So
There are chick flicks and upchuck flicks. The movie Because I Said So is an upchuck chick flick.
Because I Said So isn't very funny, and no amount of having Diane Keaton act all post-menopausally zany is going to create the tension that just isn't there.
A light-weight comedy about mothers and daughters, Because I Said So is a bit like the chocolate soufflés that Mandy Moore's Milly cooks throughout. It's light and fluffy, but on occasions it does not rise to the occasion
each character in the film is so shallow and cold that there’s nobody for the audience to cheer on.
There's more than enough material here to make an enjoyable drama about a mother and her adult daughters. But the writers and director fail on virtually every front.
I don't think anyone actually wrote Because I Said So; I think that some Hollywood artificial intelligence think-tank instead fed DVD box sets of The Gilmore Girls and Sex and the City into a computer, along with Pottery Barn catalogs for roughage. ...
At 61, Diane Keaton is still doing her ditzy, girlish thing, but the act is getting a little oppressive and rarely more so than in Because I Said So, an indulgent comedy.
[A] better movie might have surfaced if everyone had taken their Ritalin and calmed down.
I hated this movie. I think it’s the worst performance of Diane Keaton’s career.
In this unwatchable romantic comedy from director Michael Lehmann Diane Keaton plays Daphne Wilder, an inept mother of three pretty but not-believable-as-siblings daughters.
As well as providing lifestyle porn, the many scenes set in stylish kitchens mean there is usually a cake on hand for somebody to be splattered with. That’s the level of the bland attempts at comedy.
With very little rewriting and a different director in charge, Because I Said So could have been retooled as a horror thriller. ... That version probably would have been funnier, too.
A desperate comedy whose frequently acute insights into tense, but loving mother-daughter relationships is constantly hamstrung by ill-advised forays into physical humor and too much reliance on Diane Keaton's mania.
I've been giving it a great deal of thought and come to the conclusion that the squandering of Diane Keaton's screen legacy is without parallel in the annals of cinema.
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