Belle Epoque (The Age of Beauty) (1992)

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Movie Info

After striking responsive chord at the Berlin Film Festival, Fernando Trueba's Belle Epoque (aka Age of Beauty) went on to win 9 Spanish Goya awards and an Academy Award for "Best Foreign Film." Set in pre-Franco Spain, film stars Jorge Sanz as Fernando, a carefree, pacifistic army deserter. Wandering about the countryside, Fernando is welcomed into home of the wealthy Don Manolo (Fernando Fernan Gomez). Far from upset by the boy's AWOL status, Manolo is delighted because he shares Fernando's … More

Rating: R
Genre: Drama, Romance, Art House & International, Comedy
Directed By:
In Theaters:
On DVD: May 20, 2003
Runtime:
Fernando Trueba

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Cast


as Juanito Rocio's Suit...

as Violetta

as Fernando

as Danglard Amalia's Ma...

as Don Asun Juanito's M...

as Amalia Manolo's Wife

as 1st Soldier--Father-...

as Soldier (El numero)

as Polonia--Madam

as Don Louis--Priest

as Street Musician
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Critic Reviews for Belle Epoque (The Age of Beauty)

All Critics (22) | Top Critics (8)

It's fairly inoffensive and intermittently charming.

Full Review… | April 3, 2014
Chicago Reader
Top Critic

Full Review… | January 1, 2000
Chicago Sun-Times
Top Critic

Full Review… | January 1, 2000
ReelViews
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Full Review… | December 4, 1992
Entertainment Weekly
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Full Review… | January 26, 2006
Time Out
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Full Review… | August 30, 2004
New York Times
Top Critic

Audience Reviews for Belle Epoque (The Age of Beauty)

A rollicking good bedroom farce. Fernando (Jorge Sanz), an army deserter just prior to the outbreak of the Spanish Civil War, finds himself the beneficiary of the hospitality of Manolo (Fernando Fernan Gomez). The arrival of Manolo's four lovely daughters sets the story in motion. A young Penelope Cruz plays Luz, the youngest daughter. Rocio (Maribel Verdú) is being wooed by a young man from the village. Violeta (Ariadna Gil) is the mannish second eldest who was raised as a boy until puberty. And Clara (Miriam Diaz Aroca) is the eldest, a widow whose husband drowned in the river the previous summer. Think of all the old farmer's daughter jokes and you begin to see the possibilities here. Which young beauty will Fernando choose? Each of the women take their turn, and the lack of sibling jealousy is remarkable. Several laugh out loud moments throughout. The arrival of the girls' mother (an opera singer) with her manager sets the final series of events in motion. And in the end, everyone seems content as Manolo is left alone again in the village. One can get a glimpse of the star quality of Miss Cruz here, before Hollywood got her in its clutches. All of the girls are quite lovely, but Penelope practically glows. Excellente!

Mark Abell
Mark Abell

Super Reviewer

½

Award winner for best Foreign movie, Belle Epoque was a light romantic comedy, easy to watch, and easiy to like.It was set in the glorious time of Spain, before Franco and it was beautifully filmed and acted.The story started with a young soldier,who deserted and became friends with an old man who was an artist, a republican and had 4 beautiful daughters.As the movie progressed you get a glance of how this young soldier got involved with each one of them. Belle Epoque was one of those movies that reached its purpose ,a celebration of love and romance and funny stories of a young soldier controlled by his sexual desire. Besides the amusing and clever dialogue,great scenery, it had some beautiful Spanish actresses put into one movie, don't miss it.

mvieaddict
Daisy Maduro

Super Reviewer

Perfectly mediocre film you'd expect to win Best Foreign Language Oscar

*** This review contains spoilers ***

The bulk of 'Belle Epoque' is supposed to be a pastoral romance, a farce of sorts despite being set during the heady eve of the Spanish Civil War in 1931. The film begins inappropriately with our protagonist, Fernando, an army deserter, having just been taken into custody by two officers of the Civil Guard who happen to be father and son-in-law. The father-in-law wants to let Fernando go but the son-in-law, a Nationalist, can't stomach the idea of allowing a 'traitor' to walk free so impulsively he shoots his father-in-law to death but realizing he'll have to face his wife later on and tell her that he's responsible for killing her father, ends up killing himself. Not a very good idea to start off with such an unpleasant scene when most of your story is supposed to be comic in tone.

Fernando arrives in a village and seeks to patronize a prostitute at the local brothel. We find out the local priest has no guilt feelings about playing cards with his buddies inside the brothel. There, Fernando meets one of the priest's fellow card players, Manolo, a retired artist, who invites him to stay at his house. Like most people in the village, Manolo is decidedly pro-Republican and is thoroughly tolerant of alternative lifestyles. Fernando is about to return to Madrid but changes his mind when Manolo's four daughters arrive by train.

Since this is a farce, we're supposed to suspend our disbelief when each of the four daughters falls for the rather passive Fernando with the libertine Manolo encouraging the randy Lothario as he beds each woman.

One of the daughters, Violeta, is an independent woman who works as a veterinarian and also happens to be a lesbian. When the daughters dress Fernando up as a maid for a costume party at a local carnival, Violeta dresses herself up in Fernando's army uniform and then ends up having sex with him inside a barn at the carnival. In a scene more titillating than erotic, Fernando passively lies underneath in his maid's costume as Violeta makes love to him on top. The next day, Fernando informs Manolo of the encounter and he's overjoyed that his daughter now has shown an interest in men. Violeta squelches any possibilities that she has an interest in the opposite sex and makes it clear to her father that in effect the previous night's encounter was simply 'role-playing' and she really has no interest in Fernando.

Despite her great attraction to Fernando, Rocio, another one of Manolo's daughters, has been involved with Juanito, a son of a wealthy Royalist widow, who has difficulty escaping the clutches of his control freak mother. There are some rather unfunny scenes with the mother going after Rocio and Juanito even goes so far as to demand that he be excommunicated from the church by the local priest in order to prove to Rocio he's no longer a mamma's boy. At the same time, Rocio strings Juanito along but eventually realizes that they were made for each other and end up marrying.

Fernando also tries to prove his mettle with Clara, who lost her husband a year before in a drowning accident. The film's scenarists try to extract some humor in a reference to the deceased husband's last meal. Clara mentions that he loved rice and her sister states it was the only dish he knew how to cook. Clara then lamely replies, "I know". Clara becomes so confused over her feelings for Fernando, that she ends up pushing him into the river, in the same spot where her ex-husband drowned. Fernando contracts pneumonia and the daughters then have to attend to him to ensure that he recovers.

The last daughter, Luz (played by Penelope Cruz), is perhaps the least interesting of the four daughters. She's simply childish and is jealous of her three sisters who have already become involved with Fernando. I'm not sure exactly why Fernando ends up with Luz (perhaps he feels sorry for her) but the young couple are seen leaving for America at film's end.

In addition to the sour note of the murder/suicide at the start of the film, there's also another unsavory moment when the priest kills himself after he feels betrayed by his hero, poet/philosopher Miguel de Unamono, who for a short while supported Franco and the Nationalists.

Belle Epoque fails not only for its two brief unnecessary forays into tragedy (the death of the Civil Guards and the Priest suicide) but because the principal characters are decidedly superficial and hence inconsequential. Violeta is basically mean-spirited (recall her unchivalrous tirade after Fernando informs her father of their fling); Rocio is a shallow coquette in regards to her relationship with Juanito, the foolish Clara is disconnected, unable to truly grieve over her lost husband and Luz is simply an immature adolescent. As for Fernando, his behavior with the four daughters speaks for itself!

Only Manolo, the intuitive libertine, comes across as somewhat multi-dimensional character. He's seen as particularly likable when he's willing to accept his opera singer wife's manager who he's quite aware has been involved with her while they've been on tour. Manolo is also a philosopher--I particularly liked when he reads a sensual passage from the 'The Magic Mountain' and concludes with the line: "What youth!".

As a point of comparison, there's a British/Irish film made in 2000 entitled 'About Adam' which has a very similar storyline to Belle Epoque. A young Lothario ingratiates his way into a household consisting mainly of women who have become besotted with him. Both are farcical in tone but 'Adam' manages to exude a slight bit more charm than the specious 'Epoque'.

'Belle' is the perfect kind of mediocre film which you would expect would win an Oscar for Best Foreign Language feature. It was safe and offended no one which guaranteed all the awards and accolades it managed to garner.

Turfseer
Lewis Papier

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