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Big Bad Love Play Trailer

Big Bad Love (2001)

tomatometer

41

Average Rating: 5.4/10
Reviews Counted: 58
Fresh: 24 | Rotten: 34

A boozy depiction of a struggling writer, Big Bad Love is too messy and self-indulgent.

38

Average Rating: 5.5/10
Critic Reviews: 21
Fresh: 8 | Rotten: 13

A boozy depiction of a struggling writer, Big Bad Love is too messy and self-indulgent.

audience

68

liked it
Average Rating: 3.6/5
User Ratings: 1,171

My Rating

Movie Info

Actor Arliss Howard made his debut as a director with this emotional drama adapted from a handful of short stories by Larry Brown. Barlow (Arliss Howard) is a deeply troubled Vietnam veteran who has been chasing a career as a writer, with little success; when he isn't struggling with his typewriter, he's usually drinking, and his wild mood swings and alcoholic fits of rage have driven away his wife Marilyn (Debra Winger), who has taken their son Alan (Zach Moody) and daughter Alisha (Olivia

R,

Art House & International, Drama

Arliss Howard, Jim Howard

Sep 24, 2002

IFC Films - Official Site External Icon

Cast

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All Critics (66) | Top Critics (22) | Fresh (24) | Rotten (34) | DVD (1)

Though you couldn't call Love a complete success, it's packed with talent and intelligence, wayward poetry and bluesy longing.

July 20, 2002 Full Review Source: Chicago Tribune
Chicago Tribune
Top Critic IconTop Critic

A movie that can't get sufficient distance from Leroy's delusions to escape their maudlin influence.

June 21, 2002 Full Review Source: Toronto Star
Toronto Star
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The movie is obviously a labour of love so Howard appears to have had free rein to be as pretentious as he wanted.

June 21, 2002 Full Review Source: Globe and Mail
Globe and Mail
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A rough, uneven but admirably imaginative film.

May 3, 2002 Full Review Source: Dallas Morning News
Dallas Morning News
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While Howard's appreciation of Brown and his writing is clearly well-meaning and sincere, the movie would be impossible to sit through were it not for the supporting cast.

April 26, 2002 Full Review Source: Detroit Free Press
Detroit Free Press
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The film often achieves a mesmerizing poetry.

March 29, 2002 Full Review Source: Seattle Times
Seattle Times
Top Critic IconTop Critic

This ambitious drama about a Vietnam vet trying to create fiction out of his troubled life and former marriage (to Debra Winger) is messy, rambling, and overlong.

April 12, 2006 Full Review Source: EmanuelLevy.Com
EmanuelLevy.Com

Makes you wish you'd stayed at home with a book -- preferably one of Larry Brown's.

October 16, 2003 Full Review Source: About.com
About.com

The very definition of what critics have come to term an "ambitious failure."

March 22, 2003 Full Review Source: Apollo Guide
Apollo Guide

Ultimately a failed actor's piece...

February 7, 2003 Full Review Source: ToxicUniverse.com
ToxicUniverse.com

Offhand, if you'd like to see some great imagery about writing, then you should by all means rent this and skip to the good parts.

November 25, 2002 Full Review Source: Needcoffee.com
Needcoffee.com

A flawed effort at best, but intriguing nonetheless.

October 21, 2002 Full Review Source: San Diego Metropolitan
San Diego Metropolitan

The worst kind of independent; the one where actors play dress down hicks and ponderously mope around trying to strike lightning as captured by their 1970s predecessors

September 26, 2002 Full Review Source: Matinee Magazine
Matinee Magazine

The movie's best asset is Howard's filmmaking.

September 26, 2002 Full Review Source: Christian Science Monitor
Christian Science Monitor

A mess, but it's a sincere mess.

August 8, 2002 Full Review Source: L.A. Weekly
L.A. Weekly

It's a drawling, slobbering, lovable run-on sentence of a film, a Southern Gothic with the emotional arc of its raw blues soundtrack.

August 8, 2002
Milwaukee Journal Sentinel

Its pleasures are ... sharp and not to everyone's taste

July 26, 2002 Full Review | Comment (1)
Arkansas Democrat-Gazette

It retains enough moments of twangy gallows humour, mostly courtesy of Paul Le Mat as Leon's corpulent drinking buddy, to keep the film from becoming a bludgeoning experience.

July 11, 2002 Full Review Source: eye WEEKLY
eye WEEKLY

Audience Reviews for Big Bad Love

[font=Century Gothic]In "Big Bad Love," Leon Barlow(Arliss Howard, who also directed and co-wrote) is an aspiring writer who tapes his rejection letters to his bathroom wall. His wealthy friend, Monroe(Paul Le Mat), gets him the occasional job housepainting, where they hang out together, followed by much drinking of beer. Due to his economic situation, Leon is often unable to come up with the child support for the two children he walked out on.[/font]
[font=Century Gothic][/font]
[font=Century Gothic]"Big Bad Love" is a rambling stream of consciousness movie that stays one step ahead of total incomprehension. It is a tricky approach to take with a movie because the reality and the fantasy can be hard to tell apart at times but here it works due to Howard's keen visual eye which does a very good job of showing Leon's mental state.(And it is especially clear that Leon has not had sex in a good long while.) But a little of that goes a long way, and after a while, it does get tedious before a huge event shakes up the movie, shoving it into an entirely new direction. In the end, the movie might have worked had it been about 20-30 minutes shorter.[/font]
September 27, 2007
Harlequin68
Walter M.

Super Reviewer

A beer-soaked poem of a movie. It's pretty slow-moving, but Arliss Howard's performance and his use of surreality help to capture the chaotic, frustrating, poetic life of Leon Barlow. Everybody in this one provides strong performances, particularly Paul Le Mat as Barlow's amiable best friend and Angie Dickinson as his dignified mother. The dialogue is for the most part crisp and poetic in a broken-down working-class way. Michael Parks has some great moments as the gas station philosopher, at times politely crude and other times quietly insightful. And I love Debra Winger. Her voice sends me into orbit every time. This one reminded a bit of "Factotum" except that in that movie, Charles Bukowski has no redeeming qualities whatsoever and made me not care what happened to him. Here, while Barlow has many of the same characteristics, he still struggles to overcome his demons rather than wallow in them and celebrate them. It's a huge difference and made this a better movie for it.
March 26, 2008
flixsterbum
J Dean
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