Sensitively acted, beautifully planned visually and dynamite musically, this is a dramatic telling of the troubled life of a revolutionary artist.
Bird (1988)
Tomatometer
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Reviews Counted:18
Fresh:13
Rotten:5
Average Rating:6.4/10
Runtime: 2 hrs 41 mins
Genre: Dramas
Synopsis: Charlie "Bird" Parker had been a hero of Clint Eastwood's since childhood, and Eastwood, having been disappointed in such jazz biopics as YOUNG MAN WITH A HORN, really wanted to make a true jazz... Charlie "Bird" Parker had been a hero of Clint Eastwood's since childhood, and Eastwood, having been disappointed in such jazz biopics as YOUNG MAN WITH A HORN, really wanted to make a true jazz fan's movie about the music. He cast Forest Whitaker as Parker, the legendary alto sax player, and Diane Venora as Chan, Parker's wife. The film shows how Parker, a genius who changed the face of modern music, was hampered and eventually destroyed by his appetite for women, food, and drugs. The two leads do a great job giving a recognizable human face to the characters' complex relationship. With wit and warmth, BIRD tells the story in direct and honest terms, avoiding all sentimentality. Eastwood's love of Parker's music comes across in the tremendous care that he and composer Lennie Niehaus took with reconstructing it, using Parker's original solos. Eastwood and cinematographer Jack N. Green also patterned the dark, moody look of the film after old photos of musicians who used to appear in jazz magazines. Music lovers will be thrilled with the result, and movie lovers will find plenty to engage them in this moving tale of a great man battling his demons. [More]
Starring: Forest Whitaker, Diane Verona, Michael Zelniker, Keith David
Starring: Forest Whitaker, Diane Verona, Michael Zelniker, Keith David
Director: Clint Eastwood
Director: Clint Eastwood
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Reviews for Bird
The greatest strength of Clint Eastwood's bio-pic tribute to jazz saxophone great Charlie 'Bird' Parker, is its dark and haunting mood.
Eastwood shows a Parker that is haunted by his boyhood addiction, and shows off the innumerable people who loved his talent who were let down by him time and again.
Eastwood made the switch from Hollywood icon to great world director with his viciously underrated Bird.
Eastwood clearly is committed to presenting Bird to his audience with all of his complexities and contradictions intact.
Whitaker gives a towering performance as the tortured musical genius, and Venora is equally impressive as the independent, compassionate Chan.
Bird is less moving as a character study than it is as a tribute and as a labor of love. The portrait it offers, though hazy at times, is one Charlie Parker's admirers will recognize.
Reduced to the bare bones of people and plot, the film winds up dancing around the edges of questions it doesn’t answer -- straight-ahead rhythm coupled with straight-ahead melody, and not quite enough depth to either one.
Whitaker sweats, vomits, blows and wails as the Bird (so named for hanging around jazz clubs like a yardbird), laying in some minor-key grace to Parker's self-destruction along the way. But he never lets you into his darkest fears.
Even though, thematically, the movie won't come clear, Eastwood has succeeded so thoroughly in communicating his love of his subject, and there's such vitality in the performances, that we walk out elated, juiced on the actors and the music.
Whitaker occupies this world as a large, friendly, sometimes taciturn man who tries to harm nobody and who cannot understand why the world would not let him play his music. Neither can we.
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| 36% 36% | Angels & Demons |
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| Tomatometer Percentage | Movie |
|---|---|
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