Black and White (1999)
Average Rating: 4.8/10
Reviews Counted: 80
Fresh: 31 | Rotten: 49
The atmosphere is affecting, and the story, at times, is compelling, but with a lean script and limp direction, Black and White doesn't add up to much.
Average Rating: 5.2/10
Critic Reviews: 26
Fresh: 13 | Rotten: 13
The atmosphere is affecting, and the story, at times, is compelling, but with a lean script and limp direction, Black and White doesn't add up to much.
liked it
Average Rating: 2.8/5
User Ratings: 5,280
My Rating
Movie Info
The inner workings of the New York hip-hop scene, and the fascination of white observers with rap music and hip-hop culture, set the stage for this drama written and directed by James Toback. Rich Bower (Power) is a mover and shaker in the world of rap music (he's involved with a number of other licit and illicit business ventures as well), and his apartment is a favored meeting place for musicians, hangers-on, and hipsters who want to seem cool, including a clique of white kids who want to be
Jun 7, 2002 Wide
Sep 26, 2000
Palm Pictures
Watch It Now
Cast
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Scott Caan
Scotty -
Robert Downey Jr.
Terry -
Stacy Edwards
Sheila King -
Allan Houston
Dean -
Gaby Hoffmann
Raven -
Kidada Jones
Jesse -
Jared Leto
Casey -
Marla Maples
Muffy -
Joe Pantoliano
Bill King -
Bijou Phillips
Charlie -
Power
Rich Bower -
Raekwon
Cigar -
Claudia Schiffer
Greta -
William Lee Scott
Will King -
Brooke Shields
Sam -
Ben Stiller
Mark Clear -
Eddie Kaye Thomas
Marty King -
James Toback
Arnie Tishman -
Mike Tyson
himself -
Elijah Wood
Wren -
Kim Matulova
Kim -
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All Critics (85) | Top Critics (27) | Fresh (31) | Rotten (50) | DVD (10)
As lively and amusing as the film is in some ways, it does set up expectations at the outset that are never really delivered upon.
It looks like a mess -- if one stuffed with incident, issues and intrigue.
Top CriticIt doesn't try to spell out all aspects of the issue or arrive at any particular point. Toback presents specific characters dealing with specific problems and, through their stories, somehow manages to take the temperature of the times.
This lively mess proves that when Toback loses his head, he does it with style.
Black and White is defeated by its structural shapelessness, and a down-with-it attitude that glosses over the script's lack of any real analysis of hip-hop's cultural influence.
The aliveness that Toback brings to Black and White owes at least as much to his continuing racial obsessions as it does to the cultural moment. Lucky for him right now, the two are joined.
... Black and White is sort of a mess, but it's the kind of worthy, ambitious mess that a director like Godard might make.
A daring film that has some sloppy flaws but is far better than Toback's previous effort, the dismal Two Girls and a Guy.
James Toback's Black and White is meant to be an incendiary movie, but it's really only just OK.
The best thing I have seen come from director Toback.
Mostly watchable and well-acted, but neither as engaging nor as exciting as it needs to be.
While Toback certainly makes a game effort to study the infiltration of hip-hop into the mainstream, his inability to choose what ground to cover ultimately results in an episodic hotch-potch.
Short bursts of captivating information are strung together in a series of quick-cutting vignettes, alternately hitting their mark and falling disastrously flat.
The unfocused story travels through so many subplots that none of the individual stories are ever explored fully enough to pay off.
Perhaps you remember "The Pick-Up Artist," the movie that single-handedly killed Molly Ringwald's career? That was another Toback production. "Black and White," for all its arty pretensions and supposed shock value, doesn't break his losing streak.
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Foreign Titles
- Black and White (2000) (DE)
- Black and White (2000) (CA)









