Average Rating: 4.8/10
Reviews Counted: 183
Fresh: 59 | Rotten: 124
Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
Average Rating: 4.4/10
Critic Reviews: 39
Fresh: 5 | Rotten: 34
Though this ambitious noir crime-drama captures the atmosphere of its era, it suffers from subpar performances, a convoluted story, and the inevitable comparisons to other, more successful films of its genre.
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Average Rating: 2.7/5
User Ratings: 93,525
Director Brian De Palma returns to the helm for the first time since 2002's Femme Fatale with this stylish screen adaptation of James Ellroy's novel detailing one of the most notorious unsolved murders in Hollywood history. Elizabeth Short (Mia Kirshner) was a struggling actress looking to make a name for herself in 1940s-era Tinseltown. Unfortunately for Elizabeth, it was her grim fate that would ultimately overshadow anything she would accomplish during her short and tragic career. When police
Sep 15, 2006 Wide
Dec 26, 2006
$22.5M
Universal Pictures
All Critics (189) | Top Critics (40) | Fresh (64) | Rotten (126) | DVD (17)
The picture is a kind of fattened goose that's been stuffed with goose-liver pâté. It's overrich and fundamentally unsatisfying.
This is far from one of the director's better efforts and should be avoided by all those who are not sworn De Palma boosters.
Mr. De Palma and his collaborators have been unable to translate Mr. Ellroy's depth of feeling into cinematic equivalents.
There are moments when The Black Dahlia projects a spectral world, but its ghosts in broad daylight are elusive at best.
The Black Dahlia feels wobbly and uncertain.
Despite genius-level contributions from cinematographer Vilmos Zsigmond and art director Dante Ferretti, the handsome film is almost abusively murky, trafficking in difficult-to-follow plot manipulations, arbitrary twists and mumbled dialogue.
An over indulgent and often confusing stab at film noir, The Black Dahlia leaves little to be desired as director Brian De Palma continues to prove that his best days are behind him.
Visual marvel after visual marvel
Unsolved Hollywood murder inspires dark '40s noir.
DePalma is like a magician who dazzles us with a trick only to show us, alas, it really was only a trick, and in the meantime he's stolen our watch.
You've barely time to soak up one revelation before another one is dumped on you from a great height.
Won't do much to dissuade the common rap against De Palma as a cold technician who takes projects just for the elaborate set pieces they provide him.
With skeletons flying out of the closet at every turn, this overplotted mess unfolds more like a dumb, daytime soap opera than a well-crafted crime thriller.
With skeletons flying out of the closet at every turn, this overplotted mess unfolds more like a dumb, daytime soap opera than a well-crafted crime thriller.
You have to wonder just how vibrant the film would have been during the Reagan or Clinton administration, when De Palma was in his prime.
A stellar cast of marquee names, coupled with an all-star crew, can't make this entry work.
... ends up being forgettable enough that someone else in the future may still be able to take another stab at the idea.
I can't say anything really stood out in a positive way.
Tell the Dahlia you think that it's beautiful.
The DVD edition includes several bonus features: Reality and Fiction, James Ellroy's in-depth perpsective on the unresolved crime; the Case File: a look behind the scenes with the actors and crew; and the De Palma Touch about the helmer's unique style
The Black Dahlia was a film that I was really looking forward to seeing. Upon its release, I saw it, and was very, very disappointed in what I saw. This was a film that had so much potential and it was wasted. Brian DePalma has a solid cast of actors, yet his direction is sloppy. I thought that the films premise was
November 30, 2011
Super Reviewer
Despite this brilliant cast with equally brilliant performances, I could tell from the very start that I wouldn't like this film. It's far too wordy and I just couldn't understand what was going on. It was very difficult to follow and felt like it lasted an age.
October 14, 2006Super Reviewer
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