Average Rating: 6.4/10
Reviews Counted: 70
Fresh: 52 | Rotten: 18
No consensus yet.
Average Rating: 6.2/10
Critic Reviews: 20
Fresh: 14 | Rotten: 6
No consensus yet.
Average Rating: 3.5/5
User Ratings: 1,875
It's been said (but unsubstantiated) that Butch Cassidy and the Sundance Kid were killed in a standoff with the Bolivian military in 1908. In Blackthorn, Cassidy (Shepard) survived, and is quietly living out his years under the name James Blackthorn in a secluded Bolivian village. Tired of his long exile from the US and hoping to see his family again before he dies, Cassidy sets out on the long journey home. But when an unexpected encounter with an ambitious young criminal (Eduardo Noriega)
Oct 7, 2011 Limited
Dec 20, 2011
Magnolia Pictures - Official Site
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Shepard's crusty charisma gives this dignified genre effort its pulse: a growl-off between his Butch and Jeff Bridges's Rooster Cogburn is surely the next chapter.
Although Shepard is perfectly cast as a world-weary outlaw reluctantly drawn into one more adventure, the movie doesn't quite justify the resuscitation of classic film characters for another outing.
"Blackthorn" feels less like a proper sequel to "Butch Cassidy and the Sundance Kid," which it purports to be, than a coattail rider.
A different kind of Western - somber, reflective and set in the elevated plains and salt flats of Bolivia.
The filmmakers didn't have a lot of options. In some ways the new picture feels like a boxed-in replay.
With Paul Newman no longer with us, no other actor could have fitted so snugly into the legendary outlaw's old boots.
Sam Shepard delivers a terrific, dry performance as the older Butch Cassidy, his stoic view of life honed by years of reflection and self realisation. It's a well written screenplay and director Mateo Gil makes the most of it
Embodied effectively by a craggy Sam Shepard, it is not the physicality of Shepard that convinces us of his identity, but his character and the morals by which he lives
Offers a fascinating imaginary sequel to the story of Butch and Sundance.
A Western in possession of a social conscience, but without lapsing into preaching or patronising, this is an unassuming film in some ways, but ultimately it's self-assured, elegiac and sometimes strikingly beautiful.
While Shepard is a classically, charming and grizzled Western anti-hero, his co-star Eduardo Noriega, above, makes for a stiff sidekick.
Blackthorn is a handsomely mounted film, with many an awesome vista and rolling plain, but compared to the quicksilver brilliance of its predecessors, it comes off as irredeemably minor.
Nothing more than a passable Western that makes you long for something memorable.
With westerns rarer than hen's teeth, and decent westerns even rarer, this is certainly one that genre fans should seek out.
It feels as unique as the way the ageing Shepard's eyes appear weirdly independent of the rest of him. He's a bird of prey gazing through the holes in a crumbling wall.
Lonesome Dove with a dash of My Name is Nobody and a side of Ride the High Country, but Shepard, Noriega and the exotic Bolivian locations mark Blackthorn out as a notable entry.
What really grabs the attention are cinematographer JA Ruiz Anchia's staggeringly beautiful Bolivian vistas, the riotously colourful backdrop against which Blackthorn tries to outrun his pursuers.
- Butch Cassidy: Friendship is the most valuable thing a man can have.Is worth more than money, land, horses or cattle... Might be the only thing that he never forget... It last's forever!
- Butch Cassidy: Rich? I've been my own man. You don't get any richer than that.
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