Average Rating: 6.7/10
Reviews Counted: 105
Fresh: 75 | Rotten: 30
Stunning and compelling, Scorsese and Cage succeed at satisfying the audience.
Average Rating: 6.6/10
Critic Reviews: 25
Fresh: 18 | Rotten: 7
Stunning and compelling, Scorsese and Cage succeed at satisfying the audience.
liked it
Average Rating: 3.2/5
User Ratings: 36,163
This tense urban drama stars Nicolas Cage as Frank Pierce, a paramedic on the brink of physical and emotional collapse. Frank has worked for years in one of New York's most brutal neighborhoods, and the pressure of his job has taken its toll; plagued with self-doubt, he is haunted by the spirits of the people he couldn't save, and while he desperately wants to quit his job, outside forces won't let him walk away. Bringing Out the Dead brought director Martin Scorsese back to the streets of
Oct 22, 1999 Wide
May 9, 2000
Paramount Pictures
All Critics (110) | Top Critics (25) | Fresh (78) | Rotten (31) | DVD (20)
Its hard-to-pin-down tone is frighteningly original -- simultaneously world-weary and adolescent with an aura of perpetual anxiety, as if the characters and filmmakers were in pursuit of a catharsis everyone knows will never come.
Scorsese doesn't trust the power of simplicity to rock us.
The auteur has definitely left his distinctive mark, but too seldom and too narrowly.
Top CriticScorsese is never on autopilot, never panders, never sells out, always goes for broke; to watch his films is to see a man risking his talent, not simply exercising it.
Despite the lack of energy and the lethargic pace, there's something darkly compelling about Bringing Out the Dead.
Bringing Out the Dead not only shows us how difficult it is to get there, it lets us bask, finally, in the achievement.
I congratulate Martin Scorsese on this miraculous triumph over his personal demons, and pray for the swift recovery of his art.
A frankly disturbing experience since Cage is at his most manic, the images are brutal, the documentary-style background intense and the (inevitable) theme of redemption a long time emerging.
Scorsese is married to a script that drags him down, keeps him from taking wing as a pure artist.
Martin Scorsese is a wonderful filmmaker. And he loves New York. He is at his best, though, when he has an interesting story to tell.
An exciting, invigorating return to old preoccupations. Welcome home, Marty.
Of course, it's immaculately crafted and exhilaratingly paced, but in the end it's never as emotionally involving as it could and should be.
However muddled the story gets, Scorsese guarantees Bringing Out the Dead remains a pulsating trip.
It's assuredly the work of a master filmmaker.
It's another burnout role for Nicolas Cage, to which he brings his vast repertoire of grimaces and shuffles, as if he were variously impersonating a gargoyle on amphetamines and late Elvis on downers.
I don't recommend it, unless you care to see the best Nicolas Cage performance in several years, or some more of Scorcese's brilliant camera work.
Everyone looks dead and they speak as if they live in a nightmarish dreamworld. Well, they do.
A very different and, in many respects, very impressive film.
Overlooked Martin Scorsese movie has grim humor, grit and grace.
Give it to Martin Scorsese to keep coming back and hitting one out of the park.
Bringing Out the Dead fails on almost every level at which Taxi Driver succeeded.
Based on the novel of the same name by Joe Connelly (which I have read...and enjoyed) is this movie: the stroy of Frank Pierce, a burned out and weary paramedic working the third shift on the mean streets of Hell's Kitchen. Over the course of a long three days, Frank struggles with his sanity as he struggles with the
February 21, 2008Super Reviewer
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