The scope of human suffering and joy is fervently wide in Almodovar's take on love, lust, and relationships in his first broad genre film. The film showcases a beatific premise of following the love affair of two ill fated star crossed lovers, thrown together in the strangest of circumstances, beating back barriers put
up by a powerful ex-lover. The story isn't very complex or hard to follow by any means, but there is a lot of explanation and back-story included, a series of confessional conversations between the intertwining characters. Each of the characters in this film are intricately developed, none without some study of their personality, or what has lead them to their current position. The film spans sixteen years in total, encompassing a painful journey for aspiring actress and former secretary Lena (Cruz) now embroiled in a purely profit escapade with financier Martel (Gomez) and an affair with screenwriter and director Mateo (Homar). Cruz is obviously Almodovar's muse, their second collaboration after Volver. He showcases the sterling beauty with many shots of her smiling, head tilted, vulnerable to the point of a newborn fawn. Without Cruz, the sweetness of the film would have been drained for a tenser thriller between their love and the oppositional Ernesto. It's shot beautifully, the subject matter is plain but well executed, and the acting is truly wonderful. I'd say one of Almodovar's best films to date.
July 10, 2011
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