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The Brother From Another Planet (1984)
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Reviews Counted: 25
Fresh: 23
Rotten:2
Average Rating: 7/10
Consensus: Featuring director John Sayles trademark humanity and an expressive performance from Joe Morton, The Brother from Another Planet is an observant, dryly comic sci-fi gem.
Runtime: 1 hr 50 mins
Genre: Science-Fiction/Fantasy
Synopsis: After escaping slavery on another planet, a three-toed alien (Joe Morton) crashes on Ellis Island and makes his way to Harlem. Assumed to be a homeless black man, the alien fits right into the... After escaping slavery on another planet, a three-toed alien (Joe Morton) crashes on Ellis Island and makes his way to Harlem. Assumed to be a homeless black man, the alien fits right into the multicultural swath of New York City, especially since he can fix both broken bones and broken machines just by touching them. Meanwhile, two men in black with unusual gaits and a fondness for DRAGNET-style dialogue prowl the streets of Harlem looking for the alien. Although director John Sayles is more known for realistic character studies, his early training in film came from writing science fiction scripts for such films as ALLIGATOR and BATTLE BEYOND THE STARS. THE BROTHER FROM ANOTHER PLANET demonstrates his aptitude for the sci-fi genre, though the film probably has more in common with Dante's INFERNO than Steven Spielberg's E.T. or John Carpenter's STARMAN. Sayles has the alien moving up and down New York City's social stratum, exposing both the minor triumphs of the city's poorer residents and the overarching structure of corruption and oppression. Seemingly a comedy, this film is actually a dramatic essay on racism, drug abuse, and corporate greed. [More]
Starring: Joe Morton, David Strathairn, John Sayles, Fisher Stevens
Starring: Joe Morton, David Strathairn, John Sayles, Fisher Stevens, Steve James, Maggie Renzi, Rosette Le Noire, Darryl Edwards, Leonard Jackson
Director: John Sayles
Director: John Sayles
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Reviews for The Brother From Another Planet
Quirky urban spaceman comedy, that's only moderately funny and observant.
The two different ends require shifts in point of view that are beyond Sayles's talent as a visual storyteller, and the film does not cohere.
Buoyed by Morton's sensitive performance, the film proceeds as a series of vignettes, some of them unforgettable.
A vastly amusing but progressively erratic look at the Harlem adventures of an alien, a black E.T.
Central to the film's deft balancing act between shaggy dog humour and something just a little more serious is Morton's expressive performance as the alien, though the rest of the cast also plays admirably.
A talk-heavy script about racial prejudice and other ills through the eyes of a mute black alien, terrifically played by John Sayles' regular Joe Morton.
It may not be the perfect John Sayles film, the perfect science fiction movie or the perfect film about black life --- but it manages to seamlessly mix wit, slapstick, poignancy and politics.
The movie finds countless opportunities for humorous scenes, most of them with a quiet little bite, a way of causing us to look at our society.
The principle character is an embellished creation, and serves to exaggerate peoples’ intolerance – fundamentally, he is the most removed of Sayles’ characters.
It's a nice, unsurprising shaggy-dog story that goes on far too long.
Writer-director John Sayles' low-budget, high-concept fable is smart, sensitive sci-fi.
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