If you liked M*A*S*H, You'll love this!
Catch-22 (1970)
Tomatometer
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Reviews Counted: 24
Fresh: 21
Rotten:3
Average Rating: 7.2/10
Runtime: 2 hrs 1 min
Genre: Comedies
Synopsis: Based on Joseph Heller's critically acclaimed, best-selling novel, CATCH-22 is Mike Nichols's provocative antiwar satire that tells the frenetic tale of a group of World War II fliers trapped in... Based on Joseph Heller's critically acclaimed, best-selling novel, CATCH-22 is Mike Nichols's provocative antiwar satire that tells the frenetic tale of a group of World War II fliers trapped in the insanity of the Mediterranean. The "catch-22" of the title deals with a military snafu that results when Yossarian (Alan Arkin), a bombardier in the war, attempts to get out of the military by feigning insanity. Yet the simple fact that he is able to acknowledge his own mortality automatically renders him sane. Frustrated into submission, the frazzled Yossarian must return to the frontlines to watch his friends and compatriots die off one by one. After the success of WHO'S AFRAID OF VIRGINIA WOOLF? and THE GRADUATE, Nichols bravely attempted to translate Heller's beloved novel to the big screen. As the terrified Yossarian, Arkin is his typically brilliant self. The rest of the all-star cast--which includes heavy-hitters Orson Welles, Jon Voight, Martin Sheen, Bob Newhart, and Anthony Perkins--further bring Heller's scathing vision to life. While the breakout success of Robert Altman's M*A*S*H and Nichols's experimental approach to the material might have attributed to the film's lackluster box office response, CATCH-22 remains a strikingly relevant condemnation of war. [More]
Starring: Alan Arkin, Martin Balsam, Jon Voight, Orson Welles
Starring: Alan Arkin, Martin Balsam, Jon Voight, Orson Welles, Art Garfunkel, Richard Benjamin, Jack Gilford, Buck Henry, Bob Newhart, Anthony Perkins, Paula Prentiss, Martin Sheen
Director: Mike Nichols
Director: Mike Nichols
Screenwriter: Buck Henry
Producer: Martin Ransohoff, John Calley
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Reviews for Catch-22
Though flawed, Nichols' rendition of Heller's book contains brilliant sequences that carry the absurdist comedy of military life to the extreme, which explains why the film, released during Vietnam, failed; seen from today's perspective, it holds up well.
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