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Cherry Blossoms (2009)
Tomatometer
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Reviews Counted:50
Fresh:42
Rotten:8
Average Rating:7/10
Consensus: This mature and eloquent meditation on grief and loss sports measured performances and moments of humor.
Theatrical Release:Jan 16, 2009 Limited
Box Office: $293,708
Synopsis: Doris Dörrie (HOW TO COOK YOUR LIFE) directs this drama about an older married couple in love. Wife Trudi is the only one who knows that her husband, Rudi, has a disease that will kill him. In... Doris Dörrie (HOW TO COOK YOUR LIFE) directs this drama about an older married couple in love. Wife Trudi is the only one who knows that her husband, Rudi, has a disease that will kill him. In fact, even Rudi doesn't know about his sickness, and the pair plans to see their family in Berlin. But Trudi's surprising death changes all their plans, and Rudi decides to go to Tokyo to see the cherry blossom festival. [More]
Starring: Elmar Wepper, Hannelore Elsner, Aya Irizuki, Birgit Minichmayr
Starring: Elmar Wepper, Hannelore Elsner, Aya Irizuki, Birgit Minichmayr, Felix Eitner, Floriane Daniel, Nadja Uhl, Maximillian Brückner
Director: Doris Dörrie
Director: Doris Dörrie
Screenwriter: Doris Dörrie
Producer: Molly Von Furstenberg, Harald Kügler
Composer: Claus Bantzer
Studio: Strand Releasing
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Reviews for Cherry Blossoms
A bare reading of the plot doesn't actually do justice to the subtle beauty of this exquisite little film.
The example set by Ozu’s best works goes unheeded as the film becomes too cutesy and forced to be moving.
It's a quiet, very beautiful film about the duality of love and death.
Cherry Blossoms is not a complete train wreck, although at 127 minutes it's way too long for the ground that it covers.
A lyrical attempt to make sense of grief that appeals shamelessly to the heart rather than the head.
Ozu’s handling of the frosty schism between awkward parents and their ghastly offspring resulted in a heartbreaking piece of cinema.
This is a sweet-natured piece, and though the final section in Tokyo itself is sentimental and over-extended, there are poignant, mordant insights.
This bouquet of nicely observed private moments packs an unexpectedly profound emotional punch.
Unpredictable and compelling, this draws parallels between Japanese and German cultures in interesting and moving ways.
If she doesn’t quite go the distance – resonance needs richer characterisation, origami finer scissors – Cherry Blossoms is still a touching, tangibly personal chamber movie.
Sometimes a quiet whisper is more compelling than the loudest shout. Cherry Blossoms is a gentle, maudlin tale of love, loss, family ties and the fleeting nature of life.
The bluntness of the script doesn't attain the ethereal quality it's striving for (Japanese cinema favours inscrutability, a cultural lesson that seems to have been lost in translation here), but it's still oddly absorbing.
[A] tender, unhurried drama about dependence, impermanence and rebirth.
The movie is an ideal blend of character study, deceptively simple plot twists, inspired acting, and travelogue.
Cherry Blossoms is an exquisitely and delicately crafted film about love, loss, and a kind of spiritual healing.
As Cherry Blossoms (Kirschblüten - Hanami) begins, Trudi is surprised when she learns her husband is dying of an unnamed condition.
Latest News for Cherry Blossoms
February 08, 2009:
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