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Movies / On DVD / Let's Get Lost
Let's Get Lost

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Let's Get Lost (1988)

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Reviews Counted:24

Fresh:23

Rotten:1

Average Rating:7.8/10

Runtime: 60 mins

Genre: Musical & Performing Arts

Synopsis: This film follows Baker and his music over the years and includes musicians from the early west coast movement, and his family and friends commenting on what it was like to hang out with the great... This film follows Baker and his music over the years and includes musicians from the early west coast movement, and his family and friends commenting on what it was like to hang out with the great jazz trumpeter. Directed by renowned fashion photographer Bruce Weber, LET'S GET LOST is beautifully lit and framed, the contrasts of the black and white photography adding an intensity to the documentary. [More]

Starring: Chet Baker

Starring: Chet Baker

Director: Bruce Weber

Director: Bruce Weber

[See More Credits]

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Release:

Feb 24, 1998

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Reviews for Let's Get Lost

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1 - 20 (sorted by date)
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plays like an elegy for the demise of the cool, thick with the small-hours allure of addiction and infatuation but smart enough to see clearly.

Full Review Source: Total Film | comment Comment
06/06/08
Total Film

A wide-eyed love letter to a jazz great, very much of its time, sporting stylish visuals and a sublime soundtrack.

Full Review Source: Channel 4 Film | comment Comment
06/06/08
Ali Catterall
Ali Catterall
Channel 4 Film

Slowly, surely this composite portrait of Chet then and now (or in 1987, when Weber shot the film) reveals its own depths.

Full Review Source: Time Out | comment Comment
06/05/08
Dave Calhoun
Dave Calhoun
Time Out

This is simply the finest jazz documentary ever made.

Full Review Source: Empire Magazine | comment Comment
06/05/08
David Parkinson
David Parkinson
Empire Magazine

A beautiful film - as flawed as its subject, and all the more fascinating because of its odd lapses.

Full Review Source: Windy City Times | comment Comment
05/22/08
Richard Knight
Richard Knight
Windy City Times

Let's Get Lost is an atmospheric black-and-white portrait of a jazz trumpet player, an exemplar of West Coast 'cool jazz' in the age when rapid-fire bebop was hot, whose life, career and face were ruined by his various addictions.

Full Review Source: Chicago Sun-Times | comment Comment
03/14/08
Jim Emerson
Jim Emerson
Chicago Sun-Times
Top Critic Icon Top Critic

The film, shot in black and white, doesn't follow a linear storyline. But the message of his jet-setting lifestyle and, more crucial, the naturalness of his gift is clear.

Full Review Source: Let's Not Listen | comment Comment
03/07/08
Tricia Olszewski
Tricia Olszewski
Let's Not Listen

There are moments in Let's Get Lost when, if you squint just a little, [Chet] Baker is a ghost image of his former self, the 1950s musical equivalent of James Dean.

Full Review Source: Detroit Free Press | comment Comment
03/07/08
John Monaghan
John Monaghan
Detroit Free Press
Top Critic Icon Top Critic

Watching Let's Get Lost, shot in a liquid black-and-white, we are lost in a monotonal, gorgeously shot reverie about Chet Baker, the jazz trumpeter whose alabaster-smooth, pretty face and plaintive tones broke hearts.

Full Review Source: Washington Post | comment Comment
03/06/08
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

Weber's documentary serves up an exquisite fusion of filmmaking style and subject matter to serve up a film that captures the essence of cool.

Full Review Source: KPBS.org | comment Comment
02/17/08
Beth Accomando
Beth Accomando
KPBS.org

First released in 1989, Let's Get Lost -- shot in the high-contrast black-and-white that's a hallmark of Weber's still photography -- is well worth revisiting on the big screen.

Full Review Source: Philadelphia Inquirer | comment Comment
01/31/08
Steven Rea
Steven Rea
Philadelphia Inquirer
Top Critic Icon Top Critic

Yes, it's about Baker, obviously, but a Baker who's somehow both much more and much less than the man seen on screen.

Full Review Source: Boston Globe | comment Comment
01/25/08
Mark Feeney
Mark Feeney
Boston Globe
Top Critic Icon Top Critic

Let's Get Lost, Bruce Weber's haunting documentary about legendary jazz musician Chet Baker, first came out in 1989 and hasn't been easy to catch since. Now reissued in 35 millimeter, the film looks like a pristine time-capsule.

Full Review Source: Los Angeles Times | comment Comment
01/11/08
Carina Chocano
Carina Chocano
Los Angeles Times
Top Critic Icon Top Critic

It's a perfect meeting of filmmaker and subject, with Weber playing the role of the obsessed fan who, like everyone else who ever came into contact with Baker, gets burned by a man who literally made art out of inwardness.

Full Review Source: Los Angeles Daily News | comment Comment
01/11/08
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

It's a stunner, and it's not like any film you've ever seen.

Full Review Source: St. Paul Pioneer Press | comment Comment
11/30/07
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Although it offers an invaluable record of a self-destructive artist at the end of his life, it is also a repellent exploitation of this artist's decline.

Full Review Source: Seattle Post-Intelligencer | comment Comment
10/25/07
Bill White
Bill White
Seattle Post-Intelligencer

A gripping and affecting film with a striking noirish look (well photographed by Jeff Preiss), but also a rather dumb one that is both enhanced and limited by Weber's pie-eyed adoration of his subject.

Full Review Source: Chicago Reader | comment Comment
06/13/07
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

Weber is working here out of a highly specialized interest, and what he means to say about his subject comes to us through layers of ambivalence.

Full Review Source: Washington Post | comment Comment
06/13/07
Hal Hinson
Hal Hinson
Washington Post
Top Critic Icon Top Critic

[A] shimmeringly decadent and fascinating portrait of the West Coast jazz legend Chet Baker.

Full Review Source: Entertainment Weekly | comment Comment
06/13/07
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

[A] stark, haunting and often dryly funny portrait of an all-American hipster-heel in twilight.

Full Review Source: Newsday | comment Comment
06/13/07
Gene Seymour
Gene Seymour
Newsday
Top Critic Icon Top Critic
 
 
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