his Oscar-laden movie rendition, directed by Rob Marshall, suffers from the kind of ants-in-your-pants MTV editing that prevents you from simply watching and enjoying the musical numbers.
Chicago (2002)
Tomatometer
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Reviews Counted:37
Fresh:34
Rotten:3
Average Rating:8.1/10
Consensus: A rousing and energetic adaptation of the Broadway musical that'll have you tapping your feet.
Rated: PG-13 [See Full Rating] for sexual content and dialogue, violence and thematic elements
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Dec 27, 2002 Limited
Box Office: $170,617,614
Synopsis: Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband,... Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband, she lands on Chicago’s famed murderess row, retains Chicago’s slickest lawyer, Billy Flynn (RICHARD GERE), and is the center of the town’s most notorious murder case, only increasing her celebrity. Roxie Hart (RENÉE ZELLWEGER), seduced by the city’s promise of style and adventure, dreams of singing and dancing her way to stardom. When Roxie’s abusive lover tries to walk out on her, she too ends up in prison. Billy recognizes a made-for-tabloids story, and postpones Velma’s court date to take on Roxie’s case. Infamy is Roxie’s ticket to stardom. Billy turns her crime of passion into celebrity headlines, and in this town, where murder is a form of entertainment, she becomes a bona fide star – much to Velma’s chagrin. As Roxie fashions herself as America’s sweetheart, Velma has more than a few surprises in store, and the two women stop at nothing to outdo each other in their obsessive pursuit of fame and celebrity. A new interpretation that takes the award-winning Broadway show into fresh and expansive cinematic realms, CHICAGO shifts adroitly from the reality of intrigue, rivalry and betrayal to spectacular fantasies of music and dance, offering tongue-in-cheek commentary on the cult of celebrity and the scandalous lengths to which people will go to attain it. -- © 2002 Miramax Films [More]
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Christine Baranski, Lucy Liu, Taye Diggs, Colm Feore, Dominic West, Chita Rivera
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Bill Condon
Producer: Martin Richards
Composer: John Kander
Studio: Miramax Films
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Reviews for Chicago
This film adaptation, written by Bill Condon, is somewhat kinder and gentler than the stage versions that preceded it.
Renee Zellweger and Catherine Zeta-Jones put on quite a show in Rob Marshall's dazzling cinematic rethinking of the 1975 Kander and Ebb musical directed by Bob Fosse.
Leggy Zeta-Jones is so hot in the 'All That Jazz' number, she's flammable. And Zellweger defines delicious.
By the end of Chicago, just about everyone in it has razzle-dazzled someone, and so has the movie, which leaves you thrilled at how good it feels to see life, death, and girl power turned, once again, into a cabaret.
With few respites, Marshall keeps the energy humming, and his edits, unlike those in Moulin Rouge, are crisp and purposeful without overdoing it.
Chicago is everything a musical is supposed to be, with good songs sung by people who sing well, and with lots of sexy dances featuring women who are gorgeous and men who don't get in the way.
In Marshall's virtuoso hands, this movie version of the 1975 Bob Fosse Broadway musical based on the 1942 Ginger Rogers movie Roxie Hart based on the 1926 play Chicago, the rhinestones shimmer like diamonds and brass glows like solid gold.
This Chicago has hugely imaginative and successful casting to its great credit, as well as one terrific score and attitude to spare.
Much more than one of the best movies of the year, Chicago is destined to become the most popular screen adaptation of a stage musical since Grease.
Not since the 1972 Cabaret has there been a movie musical this stirring, intelligent and exciting.
This Chicago doesn't toddle, it swings, it Lindy Hops, it Charlestons the night away, and probably all your woes along with it.
Marshall has created a glitzy, seductive, high-energy movie that feels more like a filmed play than a play made into a film.
Chicago improves upon the long-running Broadway show by Kander and Ebb in many ways.
Marshall deserves credit for taking what threatened to be a worn-out bit of Broadway entertainment and turning it into an evening's worth of fun.
Chicago is sophisticated, brash, sardonic, completely joyful in its execution.
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