La Chienne (The Bitch) (1931)

a jean renoir socialistic satire upon the petite bourgeoise..the storyline goes with an elder timid accountant who leads a pathetic life overruled by his critically dispiteful wife, he gets infatuated with a streetwalker one day then fends her as his kept mistress. unfortunately this whore is a miserable slave to her sadistic flanerie pimp, and these two discover the artistic painting talent of this dull acountant, thereafter merchandising his art as their fodder of luxurious living under her name. randomly the accountant murders the prostitue in a rage of passion, but the pimp gets executed for this crime instead. eventually the accountant becomes a shady vagabond on street.

rarely known to most, edward g. robinson's "scarlet street" is fritz lang's adaption from renoir's french original "the bitch"....lang's approach centers more on the psychological interactive drama between these three. lang softens it by transforming the prostitute as a showgirl, the pimp as just an amateur womanizer, the sucker as an ingenuine who longs to live vigorously...lang emphasizes more on the mental trauma of guilt from the main character, thus it's interpretated as the personal tragedy of a romantic steer.

as for renoir's "the bitch", it's social criticism: the pimp stands for the nouveau riche who lies upon the resources of the ghetto(the prostitute) to make his rising fortune by exploiting the bourgeois(the accountant), even including his soothing inspiration of art...the pimp drives his cadillac to extort money from the whore, parking his flashy roadster in the crowd of common people that hinders their daily function, coincidentally he arrives in the bad timing to be the scapegoat of the crime he hasn't committed....it's renoir's severe condemnation on the amoral nouveau riche. after the bourgeois' fund has been drained up, he wanders in the street as ragged bum, cadging small cashes from the merchandizer who purchases the last portrait of himself(his own work) in the antic shop.