Dudo que Los Coristas deje alguna huella en el espectador por demasiado tiempo, pero sin duda saldremos del cine con una sonrisa en los labios (...)

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It never aims higher than a sweet sort of middling. And it succeeds.

The way that it embraces convention rather than invention makes Mr. Holland's Opus look like Pulp Fiction.

The story has a lot of unexpected twists and turns.

Somehow with all the heartstrings pulled, I didn't feel anything more than being manipulated.

The pudgy, nondescript Jugnot certainly doesn't look like leading-man material, but he delivers a low-key, carefully modulated performance and droll humor to finesse the movie's melodramatic streak and send us out flicking away a tear.

The Chorus is a fresh permutation on the Dead Poet's Society type theme.

The premise may seem a little hokey, but Barratier's characters are too endearing to be dismissed with cynicism.

This is a movie fraught with clichés, yet also so full of beautiful music and innocent merriness that its more mawkish attributes are overlooked.