Part Disney, part Karl Marx, the movie might be characterized as a North Korean post-revolutionary blockbuster. And though the persecuted protagonist is hardly a shrinking violet but not quite a budding feminist, hey, we're talking centuries ago.
Chunhyang (2000)
Tomatometer
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Reviews Counted: 40
Fresh: 34
Rotten:6
Average Rating: 7/10
Runtime: 2 hrs
Genre: Foreign Films
Synopsis: Director Im Kwon Taek's ninety-seventh film, CHUNHYANG, is an adaptation of a popular Korean folk tale. The movie takes place in 18th century Korea, where Mongryong, the son of the Governor of... Director Im Kwon Taek's ninety-seventh film, CHUNHYANG, is an adaptation of a popular Korean folk tale. The movie takes place in 18th century Korea, where Mongryong, the son of the Governor of Namwon, is studying before he goes to school in Seoul, where he will study to become a royal official. During the summer before he leaves, he meets and falls in love with Chunhyang, the beautiful daughter of a local courtesan. Mongryong proposes to her and weds her in secret, but is soon called to Seoul for his schooling. While he is away, a new governor is appointed to the province, and he demands that Chunhyang become his courtesan. When she refuses, he sentences her to death. Visually stunning and formally daring, CHUNHYANG uses the ancient operatic tradition of pansori, a narrative art that uses dance and song, to heighten the film's drama and to provide an additional layer of depth to the already powerful folk tale. Using overlapping sound and intercutting scenes of a pansori artist performing the film's narrative and the film itself, Mr. Taek fuses song and image as he melds Korea's past with the modern art of film. [More]
Starring: Hyo-Jeong Yi, Seung-Woo Cho, Sung-Nyu Kim, Jung-Hun Lee
Starring: Hyo-Jeong Yi, Seung-Woo Cho, Sung-Nyu Kim, Jung-Hun Lee, Hak-Yong Kim, Hae-Eun Lee
Director: Kwon-Taek Im
Director: Kwon-Taek Im
Screenwriter: Myoung-Gon Kim
Producer: Tae-Won Lee
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Reviews for Chunhyang
Chunhyang is a gorgeous, elaborate film that feels like a fairy tale with a fresh coat of paint. Unfortunately, the paint is the most interesting part.
[The] film is handsomely mounted--from the sets and costuming to the appealing young stars--and ultimately a lot of fun.
Though a beautiful costume film with Hollywood production values and a cast of thousands, I just couldn't get into the epic story.
A premodern folk tale in a postmodern form that refreshes both the eye and our ideas about storytelling.
Song, colour, amazing costumes, drama, pathos, passion and, surprisingly, quite a few laughs -- it's all here in Chunhyang.
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