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Dark Horse (2012)

tomatometer

70

Average Rating: 6.3/10
Reviews Counted: 71
Fresh: 50 | Rotten: 21

Typically misanthropic yet curiously satisfying and incisive, Dark Horse is a movie that preaches to the cynical converted.

67

Average Rating: 6.6/10
Critic Reviews: 27
Fresh: 18 | Rotten: 9

Typically misanthropic yet curiously satisfying and incisive, Dark Horse is a movie that preaches to the cynical converted.

audience

41

liked it
Average Rating: 3/5
User Ratings: 3,199

My Rating

Movie Info

Thirty-something guy with arrested development falls for thirty-something girl with arrested development, but moving out of his junior high school bedroom proves too much. Tragedy ensues. Writer and director Todd Solondz examines the irretrievability of youth and the mercilessness of time passing in Dark Horse, a melancholy and idiosyncratic comedy starring Justin Bartha, Selma Blair, Mia Farrow, Jordan Gelber, Donna Murphy, Christopher Walken, Zachary Booth and Aasif Mandvi. -- (C) Official

Unrated,

Drama, Comedy

Todd Solondz

Nov 13, 2012

$0.2M

Vitagraph Films - Official Site External Icon

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All Critics (71) | Top Critics (27) | Fresh (50) | Rotten (21) | DVD (1)

It would be unfair and patronizing to say that Solondz needs to grow up, but "Dark Horse" suggests that it's time for the bard of bourgeois hypocrisy to consider moving on.

August 17, 2012 Full Review Source: Washington Post
Washington Post
Top Critic IconTop Critic

Solondz has made a career out of specializing in highly aberrant views of middle-class life.

August 9, 2012 Full Review Source: Boston Globe
Boston Globe
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That Gelber can make Abe appealing in any way is a triumph. That Solondz can orchestrate such a feat is an even bigger one.

August 9, 2012 Full Review Source: Arizona Republic
Arizona Republic
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Solondz will never be much for happy endings, but the film is strangely optimistic and at times borders ever-so-slightly on the whimsical.

August 9, 2012 Full Review Source: Miami Herald
Miami Herald
Top Critic IconTop Critic

With champion bloodlines from Walken and Farrow, "Dark Horse" could have been a contender, but it gets so skittish about trodding a familiar path that it pulls up lame.

August 2, 2012 Full Review Source: St. Louis Post-Dispatch
St. Louis Post-Dispatch
Top Critic IconTop Critic

For once, Solondz seems less interested in scoring points off his characters than in creeping into their shy, sad interior worlds.

July 26, 2012 Full Review Source: Los Angeles Times
Los Angeles Times
Top Critic IconTop Critic

A typically ineffective effort from Todd Solondz...

November 27, 2013 Full Review Source: Reel Film Reviews
Reel Film Reviews

Solondz seems to be making a statement about arrested development and the harsh realities of loneliness and age, but it's so clumsily and irritatingly executed that his arguments remain difficult to see.

October 5, 2012 Full Review Source: Washington City Paper
Washington City Paper

Age seems to have softened Todd Solondz and it is a real shame, as we have tonnes of optimistic filmmakers but only one of him. Come back, Todd.

September 27, 2012 Full Review Source: The Aristocrat
The Aristocrat

"Dark Horse" ends up being a film about loneliness, and the desperate things people will think and do to escape it. And, for once, Solondz doesn't sneer at that desperation.

September 12, 2012 Full Review Source: Capital Times (Madison, WI)
Capital Times (Madison, WI)

Though Dark Horse is disturbing and funny like most Solondz pictures, it's also mystifyingly touching; it moves into totally unexpected places.

August 22, 2012 Full Review Source: Combustible Celluloid
Combustible Celluloid

The title could be taken as indicative of the film's chances of scoring outside of Solonfz's small cadre of followers, but 'Dark Horse' indicates that a grain of empathy has made its way into his usual desert of despair.

August 14, 2012 Full Review Source: One Guy's Opinion
One Guy's Opinion

The suffocating darkness of much of Solondz's work has diminished here, but so has the humor, and it never reaches the massive catharsis of a film like Happiness.

August 9, 2012 Full Review Source: Boston Phoenix
Boston Phoenix

Seizing the role, and the screen, Jordan Gelber actually makes us care what happens to his surly, thoroughly unlikable character.

August 3, 2012 Full Review Source: Times-Picayune
Times-Picayune

Offers a wealth of small pleasures, but as a whole, it fails to make much of an impact, exhausting direction the longer it pursues a dreamscape tone that only seems to retain perfect shape in the helmer's head.

July 30, 2012 Full Review Source: Blu-ray.com
Blu-ray.com

When he's hot, (Todd Solondz)... has an uncanny ability to find both absurdist comedy and poignant drama in the vicissitudes of everyday characters.

July 29, 2012 Full Review Source: Leonard Maltin's Picks
Leonard Maltin's Picks

The director's claustrophobic vision of optimistic youth slowly curdling into a hellish maelstrom of middle-age malaise is still a fun ride if you enjoy that sort of thing.

July 27, 2012 Full Review Source: Austin Chronicle
Austin Chronicle

Even the gentle side of filmmaker Todd Solondz turns out to be pretty nasty.

July 26, 2012 Full Review Source: St. Paul Pioneer Press
St. Paul Pioneer Press

Audience Reviews for Dark Horse

"Dark Horse" doesn't have the bite it thinks it does, but it makes its point (quite unsubtly) before ending abruptly. It's flawed, almost to the point of being unacceptable, but it's got just enough going for it to end with a strange satisfaction that made me think about the purpose of and intentions behind movie characters.
July 10, 2013
Sam Barnett

Super Reviewer

A thirty-year-old brat convinces a hapless woman to marry him.
Todd Solondz specializes in characters stuck on the edges of society, and there is no Solondz character more on the edge than Abe. His whiny narcissism is foundationally unattractive, and while I find myself agreeing with his Holden-Caulfield-esque denunciations of society and cruelty, I wish Abe weren't the one voicing these objections. Jordan Gelber plays the part without any care for what the audience thinks of him, and for this he should be lauded; it's Solondz, on the other hand, who fails to give us some small redeemable quality that makes us sympathize with his protagonist until the end. My comments about Gelber extend to Selma Blair, who also shines in a difficult acting challenge.
What is Solondz saying with this film? I think Solondz is presenting an anti-inspirational story, an antidote to Nicholas Sparks. He gives us the most annoying hero anyone could ask for, makes us think we should root for him, and then finishes the story honestly. Solondz is dark, and this film may be his darkest yet. The problem is that what works as a conceptual response to a genre of film doesn't necessarily work as a compelling story in itself.
Overall, I like the idea behind this film, but I couldn't stay with the execution for very long.
May 20, 2013
hunterjt13
Jim Hunter

Super Reviewer

From the nice opening sequence where the camera pans slowly from people goofily dancing at a wedding (and why is it that the scene is so depressing???), to the main character Abe, sitting at a table next to a stunningly depressed looking woman, you'd think that this film has serious potential. As the scene follows, Abe tells the woman that he, on principal, doesn't dance (which is an offhand, and very protective way of asking her if she wants to... for if she says she likes to dance then he can come off as a hero and, setting aside his principals, ask her. If she doesn't respond then no harm no foul).

This is the setting for a film about an eternal adolescent, Abe, well played by Jordan Gelber, who is stuck in his mid thirties life (one that he has chosen, by the way), where he lives at home and works (sorta) for his father. Said father, portrayed by Christopher Walken, is dismissive of his underachieving son, though he lets him live at home and provides him with every opportunity to help in the family business. But sonny boy just can't seem to get it together, and it's never his fault. You can perhaps blame the overprotective mother (so naturally played by Mia Farrow), but just once you'd like to see this type of character take a hold of his life and actually do something! It is this unsympathetic character that really holds the film back, and I suppose why so many critics have raved about the film, exhorting its realism, while the main viewing public has given it thumbs down (myself included).

There is pathos galore on display here, from not only Abe, but Miranda, the girl he decides to woo. Here is a woman clinically depressed, her existential viewpoint on life dripping defeat. At one point she asks Abe if he's real, as if she can't truly believe that anyone would be smitten by her. That she agrees when Abe impulsively asks for her hand is truly sad - and yet for some reason comes off on the screen as absurd.

The film holds many a surreal moment, and perhaps the viewer will begin to wonder what is real and what is not - or even if the entire enterprise is nothing more than a dream. This holds your interest for a time, but towards the end I found myself no longer caring, as I found the characters of both Abe and Miranda to be repulsive - two souls wallowing in their own self pity and, particularly in the case of Abe, blaming everyone but himself for his station in life. It seems that part of writer/director Todd Solondz's message is that we are victims of an uncaring world - one full of rules that make it hard for the everyman to cope; but I think that Solondz is playing too pat a hand, with too many clichés and typical whining to really show us anything revealing and unique, try as he might. The film is dark, certainly, but a "comedy" - hardly, as there is absolutely nothing funny to laugh about on the screen, dark or otherwise.

With multiple endings (if you want to see it that way), the film attempts to allow you to interpret and diagnose for yourself what it all means, and if any of it matters. Sadly for me, I had stopped caring about the characters so any potential depth of meaning held no impact.
April 9, 2013
maxthesax
paul sandberg

Super Reviewer

I think I need to watch this one again when I am not so tired. I really lost the plot (literally) by the end.
November 4, 2012
romy861

Super Reviewer

    1. Abe: You can program the TiVo yourself!
    – Submitted by Chris P (22 months ago)
    1. Miranda: Are you for real?
    2. Abe: Absolutely. A thousand percent.
    – Submitted by Chris P (22 months ago)
View all quotes (2)

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