Average Rating: 7.3/10
Reviews Counted: 57
Fresh: 50 | Rotten: 7
Meshkini has made an excellent contribution to Iranian cinema with this poetic, emotionally poignant film.
Average Rating: 7.6/10
Critic Reviews: 23
Fresh: 22 | Rotten: 1
Meshkini has made an excellent contribution to Iranian cinema with this poetic, emotionally poignant film.
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Average Rating: 4/5
User Ratings: 861
Directed by Marzieh Meshkini, wife of acclaimed Iranian filmmaker Mohsen Makhmalbaf, this film tells three intertwined tales of women's struggle for identity in their native country, from the young to the elderly. Episode one, entitled "Havva," concerns a young girl on the morning of her ninth birthday. Against her better wishes, she is forced to stay home, away from her best friend who has asked her to play with him, due to her mother and grandmother's proclamation that she is now a woman.
Apr 6, 2001 Wide
Aug 16, 2005
Shooting Gallery
All Critics (64) | Top Critics (24) | Fresh (51) | Rotten (7) | DVD (3)
A hauntingly simple, profound and beautiful movie.
What appears on the screen has a starkness that is almost indelible.
Creates a flow of symbolism so potent, so transporting in its physicality, that its impact all but transcends its righteous liberal 'meaning.'
This film catapults Meshkini into the 'Someone to Watch' category.
Short on drama but long on poetry.
An episodic drama rich in sly humor and symbolic imagery.
This is just about the lightest and most agreeable of the umpteen Iranian films I've seen.
Overall, The Day I Became a Woman is interesting on levels other than those of narrative or meaning.
..."The Day I Became a Woman" doesn't really capture the imagination at the end.
"The Day I Became a Woman" is a trio of fables which simply yet evocatively lay out the problems of being a woman in Iran.
These simple episodes are all admirable but rarely engaging.
An intriguing glimpse into the lives of three women and the situations that they find themselves in.
November 7, 2010Super Reviewer
Fascinating,profound in whatever way possible.The three portraits of 3 female generations are penetrative,society's dignity mingles in a boiling pot.Come and see the 21st century of travesty.Meshkini delivered a stupendous piece of art,one of those films thus a couple will dare to watch because it's "unknown".
September 8, 2008Super Reviewer
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