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De-Lovely

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De-Lovely (2004)

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Reviews Counted:151

Fresh:74

Rotten:77

Average Rating:5.7/10

Consensus: Musical numbers save movie from cliches.

Rated: PG-13 [See Full Rating] for sexual content

Runtime: 2 hrs 5 mins

Genre: Dramas

Theatrical Release:Jul 2, 2004 Limited

Box Office: $13,148,028

Synopsis: Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually... Directed by Irwin Winkler, DE-LOVELY depicts the life of the great American composer Cole Porter (Kevin Kline). Despite his sexual preference for men, Porter found inspiration and virtually unconditional love with Linda Lee (Ashley Judd). Told in flashback as Porter is near death, the film follows the Porters' fabulous, unconventional relationship from their meeting in Paris to their subsequent moves to Venice, New York, Hollywood, and Williamstown, as well as the many stops along the way. Kline perfectly captures the Porters' zest for life and seemingly inexhaustible need for love. Classic tunes such as "Let's Do It, Let's Fall in Love," "Let's Misbehave," and "Anything Goes" take on whole new meanings when considered in the context of Porter and Lee's life together. Contemporary musical performers, including Alanis Morissette, Natalie Cole, Robbie Williams, Elvis Costello, and Sheryl Crow, appear in the film singing Porter standards, a device that works surprisingly well. Judd holds her own as the devoted Linda, who gives her love to Porter and supports his musical ambitions while trying to overlook his homosexual affairs. Historians may debate the details of the Porters' relationship, but one thing is clear: DE-LOVELY dazzles with great music, period costumes, and fine performances. [More]

Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen

Starring: Kevin Kline, Ashley Judd, Jonathan Pryce, Keith Allen, Natalie Cole, Angie Hill

Director: Irwin Winkler

Director: Irwin Winkler
Screenwriter: Jay Cocks
Producer: Irwin Winkler, Rob Cowan, Charles Winkler
Composer: Cole Porter
Studio: MGM/UA

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Release:

Dec 21, 2004

No Details Exist
 
 

Reviews for De-Lovely

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Cinema Crazed | comment Comment
04/29/09
Felix Vasquez Jr.
Felix Vasquez Jr.
Cinema Crazed

Click to read the article

Full Review Source: Hollywood.com | comment Comment
11/20/08
Gregory Freitas
Gregory Freitas
Hollywood.com
N/R

Click to read the article

Full Review Source: Urban Cinefile | comment Comment
10/18/08
Urban Cinefile Critics
Urban Cinefile Critics
Urban Cinefile

Click to read the article

Full Review Source: Big Picture Big Sound | comment Comment
07/14/07
Joe Lozito
Joe Lozito
Big Picture Big Sound

More imagination than inquiry, this cautiously reverential tale reaches for aesthetic pleasure and emotion over insight.

Full Review Source: Long Island Press | comment Comment
05/24/07
Prairie Miller
Prairie Miller
Long Island Press

If you ignore the plot and just approach the flick as nothing more than a 21st century update of a Busby Berkeley-style musical, you will not be disappointed.

Full Review Source: Princeton Town Topics | comment Comment
05/23/07
Kam Williams
Kam Williams
Princeton Town Topics

Performances crackling with an enthusiasm that indicates how much Porter's work continues to be loved and respected.

Full Review Source: Christianity Today | comment Comment
09/22/06
Lisa Ann Cockrel
Lisa Ann Cockrel
Christianity Today
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Time Out

Click to read the article

Full Review Source: Empire Magazine | comment Comment
04/01/06
Empire Magazine

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Full Review Source: Three Movie Buffs | comment Comment
09/30/05
Scott Nash
Scott Nash
Three Movie Buffs

Elegante e esteticamente admirável, este musical é um pouco mais longo do que deveria, mas as belas cançőes e os complexos planos concebidos por Winker acabam compensando.

comment Comment
05/05/05
Pablo Villaca
Pablo Villaca
Cinema em Cena

The production numbers recap Porter's life using his own music. The concept is nothing if not original but it's the execution that causes the greatest strife.

Full Review Source: Oscar Guy | comment Comment
04/17/05
Wesley Lovell
Wesley Lovell
Oscar Guy

...employs a bizarre structure that makes it virtually impossible to connect with anything or anyone on screen.

Full Review Source: Reel Film Reviews | comment Comment
02/20/05
David Nusair
David Nusair
Reel Film Reviews

Emotionally week and distant, like watered-down soup. It provides poor nourishment.

Full Review Source: Laramie Movie Scope | comment Comment
02/02/05
Robert Roten
Robert Roten
Laramie Movie Scope

An intelligent behind-the-scenes look at enduring love and enduring music.

Full Review Source: ReelTalk Movie Reviews | comment Comment
12/15/04
Donald J. Levit
Donald J. Levit
ReelTalk Movie Reviews

De-Lovely, de-Nearly delectable

Full Review Source: JWR | comment Comment
12/03/04
S. James Wegg
S. James Wegg
JWR

...if I didn't already enjoy the composer's music, this movie would never have swayed to like it.

Full Review Source: DVDTown.com | comment Comment
11/27/04
John J. Puccio
John J. Puccio
DVDTown.com

Kline and Judd are both good, but Cole Porter seems to have more sophistication than depth.

Full Review Source: Mark Leeper's Reviews | comment Comment
11/24/04
Mark R. Leeper
Mark R. Leeper
Mark Leeper's Reviews

The movie does offer insight into a man whose lyrics now are underscored with the deeper, hidden rhythms of truth.

Full Review Source: Bangor Daily News (Maine) | comment Comment
11/16/04
Christopher Smith
Christopher Smith
Bangor Daily News (Maine)

The least you can expect from a film celebrating a witty and stylish personality like Cole Porter is to be witty and stylish. But, alas, De-Lovely is neither.

Full Review Source: EmanuelLevy.Com | comment Comment
11/13/04
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com
 
 
1 - 20 (sorted by date)
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Latest News for De-Lovely

June 22, 2004: This musical bio of Cole Porter looks at the songwriter’s loving and unorthodox relationship with his wife, Linda—meaning it doesn’t shy away from his homosexual affairs. Opens in new window
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