The beautiful fugitive, Grace, arrives in the isolated township of Dogville on the run from a team of gangsters. With some encouragement from Tom, the self-appointed town spokesman, the little community agrees to hide her and in return, Grace agrees to work for them. However, when a search sets in, the people of Dogville demand a better deal in exchange for the risk of harboring poor Grace and she learns the hard way that in this town, goodness is relative. But Grace has a secret and it is a dangerous one--so Dogville may regret it ever began to bare its sharpened teeth. … More
- R (for violence and sexual content)
- Drama , Art House & International , Mystery & Suspense , Special Interest
- Directed By:
- Lars von Trier
- Written By:
- Linda Daae , Lars von Trier
- In Theaters:
- May 1, 2003 Wide
- On DVD:
- Aug 24, 2004
- Box Office:
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Critic Reviews for Dogville
For all of "Dogville's" strengths -- its powerful performances, the ingenious staging, how quickly and completely the audience accepts its stylized reality -- its take-home message is, ultimately, measly.
There's nothing static about [Von Trier's] technique, but everything else about the movie is dreary and closed off.
What Lars von Trier has achieved is avant-gardism for idiots.
[Director] Trier attempts to pass this off as art, when really it's just ridiculous.
Thought provoking with its dense and intense themes, Dogville highlights the best and the worst in us all; the emotions it agitates are hard to shake.
These elements come together to form a movie that is clinically ironic but also unique, inspired, and quite sublime.
This minimalist, digital-video-shot film has its own cinematic flash and thunder, and does things only movies can do.
An exceptionally literary film that at the same time employs extremely theatrical set design. Leave it to the mad genius of Denmark to kick cinema's ass once again.
After about an hour, the novelty wears off, and you're aching to see an actual animal and real shrubs. After two hours, you feel disappointed when you realize that this wouldn't even make a good play. After three hours, it's downright infuriating.
Bold stylistic decisions reinforce the themes of the narrative, while a strong story and convincing performances prove equal to the task of carrying such an extended running time.
Manages to strike a poignant chord as a more general denunciation of humanity's latent tendencies for malicious selfishness.
[Von Trier] portrays intense evil to make us wonder at the resilience and generosity of Grace, that 'alabaster' saint who exemplifies her name ... to a point.
Almost three hours long, Dogville is a trial. But it's brilliant ...
never manages to be more than a belabored shaggy dog story
aesthetically sparse and thematically audacious, the searing work of a genuine provocateur
Fails to meet the expectations of its own conceit.
Audience Reviews for Dogville
The tiny township of Dogville (population 20) reluctantly takes in a woman fleeing from gangsters, but their generosity turns into abuse as they gradually maker her into their slave. It's de Sade's "Justine" played out on the set of "Our Town." Masterful but misanthropic.More
Dogville's depiction of detatchment, the worthlessness of the human promise, mistrust and animalistic selfishness is incredibly moving. Nicole Kidman gives a breathtaking performance as a troubled, overly sympathetic daughter of a gangster, who ends up in the hands of a seemingly morally functioning town, where eventually she gets horribly abused and mistreated by the residents. The visually alienating design featuring no environment, or in fact sets, detatches you from the story in a way which sometimes can be quite irritating. I think the film may have worked better if it was filmed traditionally with all these traits. Lars Von Trier's choice to film it this way may have been self aware and intentional, but I didn't really think it's deliberate emptiness was working. Despite that, there is so much else to admire and love about Dogville. The script is brilliantly written, the old fashioned plot is unpredictable, and it's bizzare surrealism and unrestricted brutality is shockingly awe inspiring. As a piece of experimental film making, Lars Von Trier has crafted a masterpiece. It's got a painfully silent and relatively relaxed tone to it, which uses little to no sound effects or score whatsoever. Yet remarkably it remains dramatically engaging and involving the whole way through. All the way up to the incredibly satisfying finale. Despite all that, I don't think it's Lars' best film, but in comparison to a lot of today's art house and Hollywood features it's orientation is to be massive in terms of ambition and originality. It most certainly suceeds in that, and that is just one of the many great achievements of this marvellous independently spirited film.
This films stands as criticism to these horrible times we are living in and a clear picture that everything we do is never really good enough. This film will make viewers feel uncomfortable and many may very well disagree with the message it tries to bring forth... but whether they agree or not is not important because it is inevitably an undeniable truth about humanity and the evil we are capable of doing.
The lack of scenery and theater-like view of the film is strange at first but by the time Kidman is in the picture you're no longer aware of this... and if you are you will simply see that it is all for your better enjoyment of the film. This film is not to be missed and to be watched more than once as well!!!
The first time I tried to watch this I saw ART spray painted over everything by dint of the stripped down sets and, w/o knowing more or wanting to, immediately turned it off. Finally deciding to listen to whatever the raving lunatic might have to say (that's what I think when I see ART), regretting it as I did, and lo, von Trier does have something to say in this reworking of the Christ tale when an innocent stranger comes to a small town. Its intelligent, thought provoking, brave, hey, and loaded with plum talent altho, make no mistake, this is Kidman's and von Trier's show.More
- I want to make this world a little better.
- Tom Edison:
- Maybe people just regard things a criminal because they envy their success.
- Tom Edison:
- It's quite a blow to me to see all my friends act this way--so uncivilized.
- Liz Henson:
- Honestly, Tom, you've done it again. Made us come here to listen to a lot of nonsense. Who do you think you are? Some kind of philosopher?
- Tom Edison:
- Observant, that's what I am.
- Ma Ginger:
- Lazy, I would say.
- Grace paused. And while she did, the clouds scattered and let the moonlight through and Dogville underwent another of those little changes of light. It was if the light, previously so merciful and faint, finally refused to cover up for the town any longer.
- You can't stand that I remind you of what it was you came here to find.
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