Marshall's mash note to '80s postapocalyptic action-adventures re-creates the era's trashy pleasures with such scrupulous fidelity -- and distinct lack of irony -- that you'd swear the movie was unearthed from the ruins of a Times Square grind house.
A tribute to the early 1980s anarchy actioners The Road Warrior and Escape From New York, Neil Marshall's Doomsday also blends elements from 28 Days Later for a fun and ultra-violent action-sci-fi-kinda-horror film.
Brimming with exploitation antics, grindhouse sensibilities and, heh heh, exploding bunnies, Doomsday conjures a future thrown back to the dead-end styles and amoral excesses of the eighties - and no future could be bleaker than that.
Likely to be the year's most entertaining film withheld from critics, Neil Marshall's latest finds him pigging out at a B-movie buffet of bangers and mash. His alchemy of anarchy in the U.K. is exhilarating and playfully perverse.