Average Rating: 8.1/10
Reviews Counted: 41
Fresh: 38 | Rotten: 3
No consensus yet.
Average Rating: 7.8/10
Critic Reviews: 9
Fresh: 8 | Rotten: 1
No consensus yet.
liked it
Average Rating: 4.3/5
User Ratings: 6,081
Jules Dassin -- in his second European film after being driven out of the United States during the years of the house Un-American Activities Committee hearings -- directed this landmark caper film about the planning and execution of a nighttime robbery at a swanky English jewelry shop in the Rue de Rivoli. The story concerns a collection of thieves who band together to commit a seemingly impossible robbery. The gang consists of a tough, straight-talker named Tony Stephanois (Jean Servais); a
Jun 5, 1956 Wide
Apr 24, 2001
Rialto
All Critics (41) | Top Critics (9) | Fresh (41) | Rotten (3) | DVD (17)
It took an experienced US director, Jules Dassin, who has lived in France some years, to give the French gangster pic the proper tension, mounting and treatment. This pic has something intrinsically Gallic without sacrificing the rugged storytelling.
The film turns moralistic and sour in the last half, when the thieves fall out.
A familiar but effective parable of honor among thieves.
This is perhaps the keenest crime film that ever came from France, including Pepe le Moko and some of the best of Louis Jouvet and Jean Gabin.
There is something else unique about the heist scene: It is the centerpiece of the film, not the climax.
One of the great crime thrillers, the benchmark all succeeding heist films have been measured against, it's no musty museum piece but a driving, compelling piece of work, redolent of the air of human frailty and fatalistic doom.
This crime-heist film by the blacklisted director Jules Dassin is his masterpiece, a seminal, thoroughly detailed chronicle of a robbery and its violent aftermath that continues to exert influence on the genre.
Ao lado de Bob, O Jogador, este longa é um dos melhores do gênero, tornando-se especialmente brilhante na longa seqüência do roubo, que, sem diálogos ou trilha sonora, revelou-se seminal e inesquecível.
Jules Dassin's classic jewel-thief caper of 1955 looks as smart as paint, with its unendurably tense, entirely wordless robbery section.
The grandfather of all heists movies. Essential.
Although 007 has been through his share of danger over the years, he doesn't know rififi like Dassin's film noir.
Actually rather overrated, lacking the tension, profundity, and vivid characterisation of similar films.
A fine example of American film noir via Paris, France.
It's one of the most important movies of the 20th century, and one of the very best.
This is a (French) film noir heist thriller....could it really get any better than that? No, not really. Aside from the fact that it was difficult to read the subtitles at times (black and white film with white/gray lettering), this is a top notch film, and I can see why it is regarded as one of the best and most
December 20, 2009Super Reviewer
the awful news of a remake starring al pacino has just ruined my day D:and for those who don't know, dassin wasn't a french filmmaker at all. he was born in connecticut of russian-jewish parents and grew up in harlem. he moved to europe after being blacklisted in 1950 during production of night and the city. did
November 3, 2007
Super Reviewer
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