A satisfactory enough cop movie, but not one that people will still be name checking years hence
Elite Squad (2008)
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Reviews Counted:34
Fresh:18
Rotten:16
Average Rating:5.1/10
Consensus: Brutal, action heavy, Brazilian cop film with a pointless voiceover. Lacks flair, overdoes the violence and is never quite sure where its morals lie.
Rated: R [See Full Rating] for strong violence, pervasive language and drug content.
Runtime: 1 hr 58 mins
Genre: Foreign Films
Theatrical Release:2008
Synopsis: One of the most notorious releases in the history of Brazilian cinema, Jose Padilha's ELITE SQUAD exposes the rampant corruption plaguing Rio de Janeiro from a policeman's point of view. The only... One of the most notorious releases in the history of Brazilian cinema, Jose Padilha's ELITE SQUAD exposes the rampant corruption plaguing Rio de Janeiro from a policeman's point of view. The only problem is that, in Rio, the police are as corrupt as the criminals themselves, creating a ferociously violent atmosphere. Even the BOPE squad, an elite police force called in when the regular units are out of their league, resort to tactics that border on fascist. The film's narrator, Captain Nascimento (Wagner Moura), is increasingly tormented by the high-pressure situations he finds himself in on a daily basis--the city's favelas are like unmonitored war zones--and he yearns for the day when he can retire and enjoy a normal life with his pregnant wife. But he won't turn in his papers until he's able to find a suitable replacement. Two of the squad's latest recruits, Matias (Andre Ramiro) and Neto (Caio Junquiera), childhood friends with different perspectives on the corruption they encounter, might just do the trick. Nascimento tests their mettle once and for all when they are ordered to secure one of the region's most dangerous favelas. Padilha brings a documentary-like realism to ELITE SQUAD, which is as assaulting an experience as a movie can get (his first film, the riveting BUS-174, was, in fact, a documentary). Based on the book TROPA DE ELITE by Luiz Eduardo Soares, Andre Batista, and co-screenwriter Rodrigo Pimentel, Padilha's controversial glimpse into Rio's nightmarish criminal world will challenge and disturb viewers. [More]
Starring: Wagner Moura, André Ramiro, Caio Junqueira, Milhem Cortaz
Starring: Wagner Moura, André Ramiro, Caio Junqueira, Milhem Cortaz, Fernanda Machado, Maria Ribeiro, Fábio Lago, Fernanda De Freitas
Director: José Padilha
Director: José Padilha
Screenwriter: José Padilha, Braulio Mantovani, Rodrigo Pimental
Producer: José Padilha, Braulio Mantovani, Marcos Prado
Composer: Pedro Bromfman
Studio: IFC Films
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Reviews for Elite Squad
Given that Brazil, as a Latin American moviemaking powerhouse, steadily produces vibrant, vital films of real impact and humanity, it's a crime itself that Elite Squad may be the only Brazilian film that American audiences see this year.
A depressing film that celebrates brute strength as the only means to stem the tide of violence and crime in Rio de Janeiro.
For nearly two hours, Padilha bombards viewers with senseless, sickening violence for its own sake.
With no star names and a tough subject, it will be hard sell despite being a runaway hit on its home turf.
Elite Squad is a relentlessly ugly, unpleasant, often incoherent assault on the senses from Brazil.
A poor man's City of God that suggests the only answer to the problems of Brazil's slums are blazing guns wielded by a neo-fascist police force.
Trying to address important and serious social issues in this violent world rather than just creating something sensationalistic or exploitative gives Elite Squad an edge over normal police thrillers.
Elite Squad can’t decide whether it wants to pull the lid back on what urban decay has wrought or simply open up a can of whup ass.
Elite Squad succeeds at putting the worst of the violent spectacles on screen, primarily through a series of nicely staged shootouts and torture sequences.
[José Padilha] recariously pitches the squad's brute force as less a necessary evil than the outgrowth of an existing evil -- a no-win situation that mocks liberal ideals and warps conservative pragmatism into domestic terrorism.
It bears a resemblance to viscerally exciting seventies urban thrillers like The French Connection, in which only the fascists could do what needed to be done.
The film's message is that all of society is corrupt, so it doesn't matter who gets killed. It's a propaganda movie that shows no empathy for its characters or for its audience.
Padilha succumbs to monotonous, hollow flamboyance with his City of God clone.
The moral dilemmas are gripping, but the film takes itself far too seriously to ever connect with us.
A film that simply doesn’t have enough cinematic flair to make it a better than average cops and robbers thriller.
Padilha gets as close to the daily violence as City of God, though this feels more like a documentary than an epic.
Padilha’s style, honed in his hijack documentary Bus 174, is verismo with a vengeance. For two hours the viewer feels as hand-held as the camera, hauled about by the neck.
As for the plot, flashy editing and an over-reliance on jittery handheld cameras mean you’ll struggle to tell what’s going on – if you haven’t already given up by then.
Nothing is clear-cut in this intense brew of brutality, stupidity and genuine tragedy. We’re left lamenting that it will go on, unless Brazil engages its brain before its fist.
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