Exporting Raymond (2011)
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|Rating:||PG (for brief language and smoking)|
|Genre:||Documentary, Television, Art House & International, Comedy, Special Interest|
|Directed By:||Phil Rosenthal, Philip Rosenthal|
|Written By:||Phil Rosenthal|
|In Theaters:||Apr 29, 2011 Limited|
|On DVD:||Aug 2, 2011|
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Critic Reviews for Exporting Raymond
What makes Exporting Raymond more than just a funny sketchbook are its insights into the mutability of comedy.
The culture clash that ensues is so fascinating that Exporting Raymond nearly succeeds despite itself.
If (and only if) you need to know every detail about how the Russian version of "Everybody Loves Raymond" was put together, drop everything to see "Exporting Raymond."
"Exporting Raymond" is interesting, and even enjoyable, precisely because of the Russians, whose lives and work Mr. Rosenthal generously portrays alongside his own neuroses.
There are no grand insights, but in all the fretting and frustration, the filmmaker cracks a window into the new Russian soul, albeit a tiny one.
Audience Reviews for Exporting Raymond
At times Exporting Raymond seems to drag from boredom, but at times it becomes semi interesting when it shows how television works in Russia. Phillip Rosenthal seems like a nice guy, but we have to sit through his forced reactions to various things in Russian culture. Its cool to see how other countries recreate popular American sitcoms and this movie has some funny moments, but I was never truly interested.
"Exporting Raymond" is an entertaining documentary about Philip Rosenthal's attempts to export the hit sitcom 'Everybody Loves Raymond,' inspired by his elderly parents' inability to turn on their computer, to Russia(where it is now called 'Everybody Loves Kostya') wherein he also takes a couple of witty shots at the fourth wall. With the exception of a particularly fashionable costume designer, Rosenthal discovers most of the problems to not be cultural, as he proves beyond a doubt how universal family and marriage are, but economic, as he finds production values lower than he is used to, making the use of a studio audience more than slightly improbable.(As far as cultural differences, this is nothing compared to "The Bridge" being transposed from Scandinavia to El Paso/Juarez.) Russia being such a gilded society also explains the success of shows like "Who's the Boss?" and "The Nanny"(It's as hard to imagine "The Nanny" being done without Fran Drescher, as it is with her.) there and that maybe getting the kidnap and ransom insurance may not have been such a bad idea, after all.
Follows Phil Rosenthal (Creator of Everybody Loves Raymond) on an eye-opening and often hilarious journey as he travels overseas to make a Russian version of his beloved comedy.
A great study on the cultural differences between the USA and Russia. Rosenthal's quirky and somewhat sarcastic sense of humor does little to smooth things over with those tasked to make the show translate well with the Russian people, and it is really funny to watch. It also points out the very similar and often identical ways that executives run the entertainment industry. Which is to say, it is often frustrating and rage-inducing.
A really unique and interesting documentary film, made by the guy who lived through it all and came out with a better understanding. Of what it takes to make people laugh.
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