Farewell, My Queen (2012)
Average Rating: 7.3/10
Reviews Counted: 73
Fresh: 67 | Rotten: 6
No consensus yet.
Average Rating: 7/10
Critic Reviews: 27
Fresh: 24 | Rotten: 3
No consensus yet.
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Average Rating: 3.3/5
User Ratings: 9,155
Movie Info
Farewell, My Queen marks the return of acclaimed director Benoît Jacquot and brilliantly captures the passions, debauchery, occasional glimpses of nobility and ultimately the chaos that engulfed the court of Marie Antoinette in the final days before the full-scale outbreak of the Revolution. Based on the best-selling novel by Chantal Thomas, the film stars Léa Seydoux as one of Marie's ladies-in-waiting, seemingly an innocent but quietly working her way into her mistress's special favors, until
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Cast
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Diane Kruger
Marie Antoinette -
Léa Seydoux
Sidonie Laborde -
Virginie Ledoyen
Gabriele de Polignac... -
Xavier Beauvois
Louis XVI -
Noémie Lvovsky
Madame Campan, Mme. ... -
Michel Robin
Jacob Nicolas Moreau -
Julie-Marie Parmenti...
Honorine -
Lolita Chammah
Louison -
Vladimir Consigny
Paolo -
Dominique Reymond
Mme. de Rochereuil -
Anne Benoît
Rose Bertin -
Herve Pierre
L'abbé Hérissé -
Aladin Reibel
Abbé Cornu de la Bal... -
Jacques Nolot
Monsieur de Jolivet -
Jacques Herlin
Marquis de la Chesna... -
Martine Chevallier
Madame de la Tour du... -
Jacques Boudet
Monsieur de la Tour ... -
Jean-Chrétien Sibert...
Duc de Polignac -
Jean-Marc Stehle
Maréchal de Broglie -
Serge Renko
Marquis de la Chesna... -
Gilles David
Le Vicaire Moullet -
Pierre Rochefort
Valet Antonin -
Rodolphe Conge
Officier de garde Na... -
Grégory Gadebois
Comte de Provence -
Francis Leplay
Comte d'Artois -
Yves Penay
Monsieur de Barentin -
Sonia Joubert
Augustine -
Tibo
Gustav -
Pierre Berriau
Huissier 1 -
Pascal Vannson
Huissier 2 -
Maurice Delaistier
Secrétaire violonist... -
Emmanuelle Bougerol
Fille de cuisine -
Véronique Nordey
Madame Tournon -
Jean-Pierre Guerin
Monsieur Janvier -
Pascaline Girardot
Doublure Madame de l... -
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All Critics (74) | Top Critics (27) | Fresh (67) | Rotten (6) | DVD (2)
Jacquot has chosen wisely in casting Léa Seydoux in the key role of Sidonie, whose luminous but watchful eyes suggest a soul wise beyond her years.
"Farewell, My Queen" is a layer cake of royal pleasures, rote protocols and revolutionary politics. For skeptics who thought this story had grown stale, let them eat their words.
The details of the plot are unimportant: that is the main point made by the skillful director, Benoît Jacquot. It is the slowness with which they realize what is happening that fascinates.
Although it was shot at Versailles, and its actors are dressed to the 18th-century nines, Farewell, My Queen has a loose, reportorial intimacy about it.
As we follow her through the monarchy's abrupt collapse, "Farewell, My Queen" gives us intimate, unflaggingly energetic history as seen from the servants' quarters.
The foreboding and chaos contrast neatly with the lavish costumes and sets.
Like the Americans, the French are infatuated with their history. They also love long close-ups of beautiful women in period costume. These elements combine in this painfully pretty period chamber piece.
It is the life of Versailles that Jacquot captures: all the petty politics, positioning and preening. And that is simply a glorious sight to see.
While it does not hang together as a whole, Farewell, My Queen is still an interesting and engaging film that should be overall commended for what it does achieve.
It's kind of the Rosencrantz and Gulidenstern Are Dead approach to history, observing it from the perspective of a "minor character", and it works ... it's a fascinating glimpse of a moment in history from, essentially, a safe bystander.
A strangely mixed film, sliding from intimate scenes of royal indolence to muted panic in candlelit corridors, a distinct undercurrent of detached uncertainty always present in both story and style.
A mood of melancholy and the film is beautifully lit and shot. But there's something missing in the telling and its often disjointed structure mitigates against the emotional satisfaction we are seeking
Visually sumptuous, this French Spanish co-production about the last days of Marie Antoinette is a far cry from Sofia Coppola's 2006 lollypop version
It should be retitled; 'Sidonie, Marie Antoinette's just not that into you.'
The complex triangle at the dark heart of his film, set against the surging social change of a nation, makes for both a superb historical epic and a compelling human drama.
The film shows both sides of the social spectrum within the court akin to "Upstairs, Downstairs" and "Downton Abbey," but with bloodthirsty rabble at the door.
Jacquot masterfully gets across the politics, jealousies and jockeying of court life...and Romain Winding has achieved the beautiful look of natural lighting in lush interiors and shadowy corridors with the director's first foray into digital filmmaking.
By the time Seydoux realizes what's in store for her and her queen, we're almost as surprised as she is.
History doesn't let us feel much sympathy for Marie Antoinette. But "Farewell, My Queen" almost has us rooting for her and those who love her by its finale.
An urgent look at the fall of Versailles
It was a very pleasant surprise to find that this was far from your average Marie Antoinette biopic.
As a portrait of a world ending, it's frequently compelling stuff.
At 99 minutes, "Farewell My Queen" provides a glimpse into the early stages of the French Revolution, told from the perspective of those who mostly lost their heads because they were too blind to see beyond their own wants and needs.
Beniot Jacquot [...] compliments immersive storytelling with a cast full of painstakingly authentic performances.
The period detail is exquisite, and the motivations and emotions of the characters need no translation for the modern viewer.
Audience Reviews for Farewell, My Queen
Super Reviewer
As I alluded to above, "Farewell My Queen" chronicles a miniscule portion in time during the last months of Marie Antoinette's reign. However, audiences are not treated to "the good part", or the part they undoubtedly came to see. What I mean by this is there are almost no visuals of the actual Revolution, plus (and more importantly) we don't actually get to witness the final days of Marie Antoinette's life simply because "Farewell, My Queen" curiously plays out through the eyes of one of her ladies-in-waiting. Instead, audiences are forced to sit through a pseudo-love story that focuses not on the very interesting end of Marie Antoinette's reign, but on the minutiae right before it! This film is the equivalent of sitting through the love story of Jack and Rose, with the movie ending just before the Titanic strikes the iceberg. Yes, I am aware that this is a script which was adapted from a critically acclaimed novel by Chantal Thomas, BUT it still doesn't make the story's focus any less misguided. I mean, there are some scenes which do attempt to create a somewhat intriguing love story, an aspect which must be fully accredited to some fantastic mood setting by Jacquot, but in the same vein, this film never rises above said simplistic love story.
Side Note: Another issue many audiences will likely come across is how frivolously "Farewell, My Queen" throws its viewers right into the deep end of this story, with little exposition. In fact, the greatest individual flaw which hinders "Farewell, My Queen" will be seen in the audiences immediate realization that neither Jacquot's visuals or the engaging performances (which I will speak about later) are going to give those not formally versed in the players of the French Revolution and the fall of Versailles, the background information they may desperately desire, as this film half-introduces more and more characters of seeming importance. So, do yourself a favor, if you are going to see "Farewell, My Queen" (at the very least) peruse the Marie Antoinette Wiki page before going to see this film.
With that said, the visuals (the set design in conjunction with the director) are somewhat breathtaking at times, due to Jacquot making some very brave directorial choices, including tons of long takes which trail behind characters as they weave in and out of crowds, giving audiences an intimate feeling of the atmosphere of late 1700's France, and a few beautifully constructed shots of the landscapes. And I guess it doesn't hurt that the two female leads, Seydoux and Kruger, both give engaging performances. But even if Kruger's interpretation of Antoinette is one of the best I've ever seen and Seydoux is so captivating to watch as she effortlessly takes control of the movie every time she is on screen, there is simply not enough in the story or the writing to give reasoning to the eccentric behavior or motives behind the actions of Marie Antoinette or (more importantly) give a reason as to why Sidonie is so infatuated with her. So, even though, in the latter half of the film (more than an hour in) Jacquot does create an atmosphere which allows these characters to somewhat blossom, many will find it hard to care about a Marie Antoinette story that contains no beheadings.
Final Thought: Based on a "last days" plot which attempts to imitate a much better film like "Downfall", even with some spectacular direction and two engaging female performances, "Farewell, My Queen" is nothing more than this year's "My Week With Marilyn", telling a story which focuses on characters nobody really cares about, rather than simply creating a storyline around the life/last days of (in this case) Marie Antoinette. So, even if you are a Marie Antoinette fan, with the overall structure the way it is, "Farewell, My Queen" is nothing more than DVD worthy at best.
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Find more reviews at: movieswithmarkusonline.blogspot.com
Super Reviewer
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- Monsieur de la Tour du Pin: The people want not only bread, but power. Who wants power? I've always considered power a curse one inherits unwillingly.
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- Marie Antoinette: Let them eat cake.
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- Marie Antoinette: Have you ever been attracted to a woman?
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Foreign Titles
- Leb wohl, meine Königin! (DE)
- Farewell, My Queen (UK)



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