The Flower of Evil (2003)
Runtime: 1 hr 44 mins
Theatrical Release: Oct 10, 2003 Limited
Synopsis: Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the family's picture-perfect Bordeaux chateau, sets the mood for a black comedy with murderous... Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the family's picture-perfect Bordeaux chateau, sets the mood for a black comedy with murderous underpinnings swathed in bittersweet bourgeois bliss. Francois (Benoit Magimel), the handsome young son, returns home from a 3-year stay in Chicago, and quickly rekindles a fiery romance with his cousin, Michele (Melanie Doutey). Meanwhile, his mother Anne (Natalie Baye) is running for public office, and has stirred up more than a bit of controversy. When a slanderous letter appears in the newspaper revealing family indiscretions--incest, adultery, murder, and even war crimes--the entire family remains firmly in denial of any wrongdoing. The dead giveaway is sweet, elderly Aunt Line (Suzanne Flon) whose mischievous smile pegs her as the omniscient keeper of family secrets. This movie screened in October 2003 as part of the 41st New York Film Festival organized by the Film Society of Lincoln Center. [More]
Genre: Foreign Films
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon, Thomas Chabrol
Screenwriter: Caroline Eliacheff, Louise L. Lambrichs, Claude Chabrol
Producer: Marin Karmitz
Composer: Matthieu Chabrol
DVD Info
Release:
Apr 20, 2004
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Digital 5.1 - English
Additional Release Material:
- Trailers
DVD-Rom Features:
- Weblinks
Buy It On DVD
Reviews
There's a solid message here about wealth and hypocrisy, but it's watered down by the opaque storytelling.
Chabrol has his moments of visual wit ... but mostly The Flower of Evil is a poky and uninvolving thriller of knotted family ties and convoluted histories.
Neither as shocking nor as enlightening as it obviously intends to be -- or as it believes itself to be.
The strength of this movie is how it starts as a standard whodunit only to become something else: a cunning Chabrol study of incest and old money peppered with a wicked sense of humor.
Chabrol's major theme seems to be that life is cyclical and history repeats.
Leave reason behind, back in steerage class, and simply breathe in the foibles of the (upper) crust on this crème brûlée.
Told without drama, as if this were just an ordinary family, it is the subtleties of the details that win you over.
Each of the characters in the film is so real, so fully drawn, that you feel you know him or her as a person, not as fiction.
The lighting is spectacular, the cinematography by Eduardo Serra, the spare music by Matthieu Chabrol, the production design by Françoise Benoît-Fresco -- all make this a joy to watch.
Although there are wonderful moments to enjoy and a certain dry wit that's specifically French, and specifically Chabrol, the meandering story tests one's patience.
Flower toys with us, holding back information and hinting that there's more to the story than meets the eye.
The picture wanders a bit, but every so often the master unleashes something very cool -- such as an ominous birdcage looming in the foreground -- that snaps us back in.
Chabrol's examination of intergenerational guilt takes awhile to arrive at the station, but the characters and dialogue -- screenplay by Caroline Eliacheff -- are sophisticated and properly witty.
Related Forums

by: REEL_REVIEWER 7/23/05


Top Critic

