The Girlfriend Experience (2009)
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as Chelsea's Girlfriend
as The Erotic Connoisse...
as Jewelry Shop Owner
as Chelsea's Driver
as Restaurant Maitre 'd
as Happy Hour
as Chatty John
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Critic Reviews for The Girlfriend Experience
We also find ourselves wondering about the real Chelsea, but Grey plays her as such a chic, chameleonlike enigma, she remains beyond our grasp. It's all part of the game: enticing but frustrating, the ultimate tease.
The Girlfriend Experience proves that a visually striking film can be made on the fly. But grab-and-run is a more fruitful strategy for images than scripts.
Despite the rampant symbolism that Soderbergh conjures and indulges, The Girlfriend Experience is not a cold or clinical film at all.
The woman is a total void. She can barely string more than five words together in a single sentence before lowering her eyelids to a suggestive half-mast.
Given the film's timestamp and the illusory nature of Chelsea's transacted affections, she may be the Aughties bubble economy incarnate.
Grey's face is mostly inexpressive, a dutiful mirror that soothes and deflects the egos she's paid to cultivate, while hiding deeper secrets. And in the mask of those impassive features, Soderbergh finds a sad world of unwitting nuance.
Audience Reviews for The Girlfriend Experience
Though the film's subject may not appeal to everyone, it is fascinating how Soderbergh uses a low-budget, experimental approach to take an honest look at the private life of an escort played by porn actress Sasha Grey as she deals with her clients, her work and her boyfriend.
Chelsea: After he got off the phone, we made out for a while and then he asked me to masturbate, which I did. Then he masturbated while watching me. He made another appointment for November 3rd.†
"See it with someone you ****"
The Girlfriend Experience is another one of Steven Soderbergh's experimental films. It is in the style of a movie like Bubble more then a movie like Ocean's 11. He filmed it on a small budget in a matter of two weeks with a cast that has never acted before(except Sasha Grey, but her normal films include deep throating or anal). It's extremely short and also feels like the audience is distanced from the characters. The movie doesn't do the audiences any favors when it comes to excitement. The movie is all about thought and character, and could be off-putting in that respect.
A "sophisticated escort" goes about her life and we watch it take place. She has a boyfriend who is okay with the whole thing, but he seems to want it to stop through his dialogue. He hints at it, but doesn't just come out and say it. The plot is really not there. It's more just a character driven movie that has some statements to say about the Obama/McCain race and the crumbling economy. This whole movie is Chelsea's and the brunt of the film falls squarely on Sasha Grey's fingers. So did she deliver? Well, sorta. She wasn't half bad, and because of that, it's the same with the movie as a whole; it wasn't half bad.†
In the end, I always have fun seeing a Soderbergh film for the first time and The Girlfriend Experience was no different. It wasn't a masterpiece by any stretch, but it was a decent little experiment. Not as good as Bubble, but still pretty good. I'm always open to movies like The Girlfriend Experience though; especially when someone like Soderbergh is directing. These type of experimental movies can be some of the most realistic movies you'll ever watch. Soderbergh's Bubble and Van Sant's Elephant and Paranoid Park are movies that come to mind. The only thing that is lacking in The Girlfriend Experience to create that same realistic effect are the performances. The Girlfriend Experience's performances just aren't good enough to create it.
An original though detached and shallow study of the economic meltdown of 2008, seen through the lenses of a New York call girl (Sasha Grey), and how she deals with her various clients. While director Steven Soderbergh does a brilliant job picking a perspective on a subject like this and having a "fly on the wall" presence throughout, the film's inability to enamor or push beyond its initial thoughts on the economy prove to be very disappointing. It is still pretty good considering how Soderbergh filmed this as well as the fact that this does feel like an authentic look at a major event, but his inability to get inside his character's heads as well as not knowing exactly how to end his film mars its enough to say it is not worth an automatic recommendation. It is not bad, it just had the potential to be so much more than it is.
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