Average Rating: 5/10
Reviews Counted: 146
Fresh: 47 | Rotten: 99
Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.
Average Rating: 5/10
Critic Reviews: 41
Fresh: 12 | Rotten: 29
Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.
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Average Rating: 2.9/5
User Ratings: 35,504
A U.S. Army war correspondent is drawn into a deadly mystery in post-war Berlin as he seeks out his wartime mistress in this adaptation of author Joseph Kanon's best-selling novel. The war is over, and Jake Geismar (George Clooney) is an American journalist assigned the task of covering the peace in Berlin -- but he was once lovers with a mysterious woman named Lena Brandt (Cate Blanchett). Lena is a lady with many secrets to hide, however, and now that the fighting has ceased, she has every
Jan 19, 2007 Wide
May 22, 2007
$0.9M
Warner Bros. Pictures
All Critics (152) | Top Critics (42) | Fresh (48) | Rotten (105) | DVD (21)
This cast almost makes The Good German watchable. It's just that their screenwriter and director don't do them any favors.
There's a line between homage and mimicry, and Soderbergh has crossed it.
We get no heroes, not even flawed ones. Clooney, our marquee man, chases through numbing plot contortions only because of his lust for Lena. By the time The Good German ended, I had barely a clue if the good ones had lived or died.
The Good German is a movie wonk's triumph and no one else's. Soderbergh gets the visuals right but not the clean storytelling line of classic cinema, nor the iconic characters or moral certainty of the oldies.
I have to admire an ostensibly nostalgic entertainment that so concertedly undermines the romanticism of wartime Hollywood.
The photography is so beautiful, and the actors make brave choices, and Soderbergh's homage to the films he so obviously loves is done with such grace and passion -- so there's just enough that works to outweigh the major plot concerns.
An utterly gaseous film
A beautifully flawed experiment, "The Good German" is an entertaining if unbalanced war drama that places modern cinema mores on a classic style of American film when the Hayes code would never have allowed such overt sexual reality.
The Good German is the bad movie. Except for the ambience -- the look of the film -- it stumbles awkwardly on every level.
Clooney stars in thoughtful, complex noir mystery.
No matter that it's based on a book, the movie is more about how the reality of the time was seen through the lens of a Michael Curtiz while he was filming "Casablanca".
Lo más interesante de esta película es el rescate casi arqueológico que realiza el director Steven Soderbergh en claro homenaje al cine del Hollywood de los '40 (...)
Hollywood vi%u0161e nije u stanju praviti velike filmove
The final verdict on this movie is that for all its attempts to replicate the great movies of the 1940s, it fails miserably.
While admirable as an example of directorial innovation and homage, The Good German fails to connect on a basic emotional level.
...by the time this one was over, Soderbergh had impressed me more his by his ability to mimic an old film than by his ability to tell a coherent story.
A homage to the romantic noir mysteries of the 1940s, a tribute that tries hard but, alas, misses the mark.
Flat noir homage.
The tip-off that this is intended to be taken as a tongue-in-cheek homage comes as the closing credits roll, when a familiar tableau might cause you to confuse this flick with Casablanca. Except instead of Paris, it's 'We'll all always have Potsdam.'
In the end, on an airstrip in the rain, it became clear what Soderbergh thought he was doing: making a new Casablanca. And while the "zigzag plot" praised in the film's promotional copy shares this with the classic, no other elements are even comparable. Tobey Maguire is completely miscast, and the film suffers, I
May 7, 2007Super Reviewer
A serviceman investigates the death of a smuggler who was having an affair with his ex-girlfriend.The story of this film is such a classic noir that all its twists and turns are predictable, bordering on cliche, and director Steven Soderbergh is clearly paying homage to the directors of the early forties, particularly
November 10, 2011
Super Reviewer
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