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The Good German

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The Good German (2006)

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Reviews Counted:145

Fresh:47

Rotten:98

Average Rating:5/10

Consensus: Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.

Rated: R [See Full Rating] for language, violence and some sexual content.

Runtime: 1 hr 48 mins

Genre: Dramas

Theatrical Release:Dec 15, 2006 Limited

Box Office: $891,721

Synopsis: One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is... One of mainstream cinema's most tirelessly inventive directors, Steven Soderbergh delivers another big-budget stylistic experiment with THE GOOD GERMAN. This time around, Soderbergh's target is 1940s film noir. Set in postwar Berlin, the atmospheric thriller is based on the acclaimed novel by Joseph Kanon. Frequent Soderbergh collaborator George Clooney plays Jake Geismer, an American military journalist who has returned to Berlin for the Potsdam Peace Conference. Jake's driver, Tully (Tobey Maguire), appears innocent upon first glance, but is in fact a major player in the corrupt Berlin underworld. He's also dating Jake's former flame, Lena Brandt (Cate Blanchett), whose beauty continues to torment Jake. When Tully's cadaver washes ashore one day, Jake is shocked to discover that nobody wants to go public with the news. As much as he'd like to forget about Lena, he can't. Pretty soon, he's risking his life to help her flee the country. In shooting THE GOOD GERMAN, Soderbergh employed many of the actual filmmaking techniques that were used in the 1940s: black-and-white cinematography, elaborately constructed sets, wide master shots, and a sweeping score (compliments of Thomas Newman). The result is a film that looks and feels like it was made in a much earlier era, yet which contains the graphic language and content of an R-rated early 21st-century production. [More]

Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire

Starring: George Clooney, Cate Blanchett, Beau Bridges, Tobey Maguire, Tony Curran, Don Pugsley, Robin Weigert, David Willis

Director: Steven Soderbergh

Director: Steven Soderbergh
Screenwriter: Paul Attanasio
Producer: Gregory Jacobs, Ben Cosgrove
Composer: Thomas Newman
Studio: Warner Bros.

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Release:

May 22, 2007

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Reviews for The Good German

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An utterly gaseous film

Full Review Source: CinePassion | comment Comment
08/28/09
Fernando F. Croce
Fernando F. Croce
CinePassion

A beautifully flawed experiment, "The Good German" is an entertaining if unbalanced war drama that places modern cinema mores on a classic style of American film when the Hayes code would never have allowed such overt sexual reality.

Full Review Source: ColeSmithey.com | comment Comment
04/23/09
Cole Smithey
Cole Smithey
ColeSmithey.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Michael Atkinson
Michael Atkinson
Boston Phoenix

The Good German is the bad movie. Except for the ambience -- the look of the film -- it stumbles awkwardly on every level.

Full Review Source: Fayetteville Free Weekly | comment Comment
02/02/09
Tony Macklin
Tony Macklin
Fayetteville Free Weekly

Click to read the article

Full Review Source: Sacramento News & Review | comment Comment
08/07/08
Jonathan Kiefer
Jonathan Kiefer
Sacramento News & Review

No matter that it's based on a book, the movie is more about how the reality of the time was seen through the lens of a Michael Curtiz while he was filming "Casablanca".

Full Review Source: PopMatters | comment Comment
05/02/08
Brian Holcomb
Brian Holcomb
PopMatters

The final verdict on this movie is that for all its attempts to replicate the great movies of the 1940s, it fails miserably.

Full Review Source: Murphy's Movie Reviews | comment Comment
07/14/07
Ted Murphy
Ted Murphy
Murphy's Movie Reviews

Click to read the article

Full Review Source: Big Picture Big Sound | comment Comment
07/14/07
Joe Lozito
Joe Lozito
Big Picture Big Sound

While admirable as an example of directorial innovation and homage, The Good German fails to connect on a basic emotional level.

Full Review Source: Aisle Seat | comment Comment
05/23/07
Mike McGranaghan
Mike McGranaghan
Aisle Seat

A homage to the romantic noir mysteries of the 1940s, a tribute that tries hard but, alas, misses the mark.

Full Review Source: DVDTown.com | comment Comment
05/23/07
John J. Puccio
John J. Puccio
DVDTown.com

Flat noir homage.

Full Review Source: Ozus' World Movie Reviews | comment Comment
05/22/07
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Buddies Steven Soderbergh and George Clooney started out so well. But The Good German is so painful that their recent decision to go their separate ways really merits a gospel choir.

Full Review Source: thelondonpaper | comment Comment
03/30/07
Julia Buckley
Julia Buckley
thelondonpaper

It's Soderbergh's commitment and creativity that lift The Good German above many of its peers, no matter the era.

Full Review Source: UGO | comment Comment
03/24/07
Brian Tallerico
Brian Tallerico
UGO
N/R

Click to read the article

Full Review Source: Observer [UK] | comment Comment
03/17/07
Philip French
Philip French
Observer [UK]

It's an achievement so hermetic it hardly bothers to be a movie.

Full Review Source: Coast (Halifax, Nova Scotia) | comment Comment
03/15/07
Mark Palermo
Mark Palermo
Coast (Halifax, Nova Scotia)

It's an achievement so hermetic it hardly bothers to be a movie.

Full Review Source: Coast (Halifax, Nova Scotia) | comment Comment
03/15/07
Mark Palermo
Mark Palermo
Coast (Halifax, Nova Scotia)
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
03/10/07
Peter Bradshaw
Peter Bradshaw
Guardian [UK]

It's "The Good German," but not "The Great German."

Full Review Source: Arizona Daily Star | comment Comment
03/09/07
Phil Villarreal
Phil Villarreal
Arizona Daily Star

While the title raises the question of whether it is possible to escape atrocity without somehow being complicit with those committing them ... Soderbergh seems infinitely more interested in making an anachronism than a timeless film.

Full Review Source: Arkansas Democrat-Gazette | comment Comment
03/09/07
Philip Martin
Philip Martin
Arkansas Democrat-Gazette
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
03/09/07
Sydney Morning Herald
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