Average Rating: 8/10
Reviews Counted: 39
Fresh: 35 | Rotten: 4
No consensus yet.
Average Rating: 7.4/10
Critic Reviews: 9
Fresh: 7 | Rotten: 2
No consensus yet.
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Average Rating: 3.4/5
User Ratings: 9,789
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Director Stephen Frears' tense adaptation of Jim Thompson's novel The Grifters was one of a number of revival film noirs in the first half of the '90s. Updating the setting to contemporary Los Angeles, the film follows a trio of con artists who are intent on out-foxing each other. Roy Dillon (John Cusack) is a simple, two-bit con, whose life is thrown into turmoil when his estranged mother Lilly (Anjelica Huston) returns home in an attempt to evade the law. Lilly doesn't warm to Roy's girlfriend
Sep 14, 1990 Wide
Jun 30, 1998
HBO Video
All Critics (39) | Top Critics (9) | Fresh (36) | Rotten (4) | DVD (11)
Best to savor The Grifters for its handsome design -- the picture looks as clean as a Hockney landscape -- and its juicy performances.
A mannerist thriller that doesn't begin to work despite the number of talented hands involved.
Cusack underplays Roy, making him an unbelievable wiseguy, a colorless cipher too akin to the saps he loves to fleece.
The Grifters is so good that one leaves the theater on a spellbound high.
It seduces you into believing it's merely a cheeky trifle, and then, when you least expect it, lowers the boom.
This is one human board game that's absorbing to watch.
[VIDEO] Although the movie recalls films by the Coen Brothers or the Dahl Brothers, "The Grifters" retains its source material's voice in a thoroughly original way. Here's a neo-noir you can never see too many times.
A darkly cynical and uncompromising gem.
Clever writing and fine cast make this tale of thieves among us fun to watch.
British helmer Frears makes auspicious American debut with this light, speedy, perfectly executed noir, based on Jim Thompson's novel, boasting three terrific performances; one of the best films of the year
Donald Westlake's excellent screenplay does some justice to the starkness of Jim Thompson's novel; and Frears' direction never fails to grab the attention.
[A] quirky, absorbing adaptation of Jim Thompson's pulp novel.
Intriguing neo-noir.
A forgettable outing from one of my favourite directors, unfortunately. Annette Bening is a sparkplug, Angelica Huston is electric, and the final act is a knockout. Unfortunately, the film bounces around for the first hour or more, in a way that, instead of building intrigue, is jarring and kind of confusing. Every
January 12, 2008Super Reviewer
This is my semi-strange parallel: I see this film as a depraved, con man version of My Cousin Vinny. It's regional, it's tricky, and it's female character driven, even though the protagonist in each is ostensibly the male. But I think it's mostly because Annette Bening's character reminds me a lot of Marisa Tomei's,
April 28, 2011Super Reviewer
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Pictures: Wes Anderson films
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