Average Rating: 8.3/10
Reviews Counted: 23
Fresh: 23 | Rotten: 0
No consensus yet.
Average Rating: 8.8/10
Critic Reviews: 7
Fresh: 7 | Rotten: 0
No consensus yet.
liked it
Average Rating: 4/5
User Ratings: 1,960
This strangely-christened French film noir was released in the U.S. as Grisbi. Jean Gabin stars as a racketeer known by the Runyonesque nickname of Max the Liar. Seeking out the finer things in life, Max intends to pull one last job and retire. After stealing a fortune in gold, our "hero" is faced with a crisis of conscience when his best friend (René Dary) is kidnapped and held for a huge ransom. Somehow Max manages to turn the tables on the abductors, but his dreams of a life of ease explode
Unrated, 1 hr. 34 min.
Jan 1, 1954 Wide
Jan 18, 2005
UMPO
All Critics (24) | Top Critics (7) | Fresh (25) | Rotten (1) | DVD (9)
It's Gabin's show all the way, anticipating the melancholy, atmospheric gangster pictures of Jean-Pierre Melville that started to appear a couple years later.
Jacques Becker, who did such a fine job in painting the turn-of-the-century apache milieu in Casque D'Or, brings the same care and psychological overtones to a film on the modern racketeer element.
The acting is consistently good. M. Gabin is, of course, an old hand at bland toughness. Rene Dary and Paul Frankeur, as two colleagues; Jeanne Moreau and Dora Doll, as two unlucky ladies, and Lino Ventura and Denise Clair... are sordidly convincing.
There's not a trace of vanity in [Gabin's] performance.
Every filmmaker from Francois Truffaut to Quentin Tarantino owes something of a debt to Becker's black-and-white boldness.
A classic policier.
The film is often confusing, especially during the first half, but Gabin and Ventura are well cast as hoods and Moreau is as appealing as ever as an underworld temptress.
This model French gangster picture set the rules for the great sequence of underworld movies from Jean-Pierre Melville that followed.
Undeniably paved the way for like-minded films like Rififi and Bob Le Flambeur. But the fact remains that those descendents did it better.
The DVD features a fabulous restoration of the movie, new English subtitles and interviews with various actors and filmmakers associated with the movie.
It's those little character moments, balanced between charm and pathos, that make this film such a winner.
As ripely Parisian as old (1954) Montmartre.
A diverting curiosity.
If it isn't the best trip you've ever taken to the dark Montmartre of the 1950s, it's nevertheless a real French noir. Irresistible, in other words.
Fifty years later, its trademark jukebox tune (a melancholy harmonica riff) still causes tingles, and its tough, laid-back elegance still seduces.
an excellent crime story. gabin plays a solid lead and scala is sexy in her limited role in a film that caught me by suprise. only loosely a heist film, it is fairly similar to much of melvilles great work. im glad i bought the film because i know i will rewatch it many times.
April 27, 2009
Super Reviewer
There are more worries in the life of a gangster besides money. There's love, loyalty, friendship, and the most implacable killer of all: time itself, the way it undermines and vanishes every human being no matter how strong or resolute he/she used to be.Jean Gabin plays the elegant and charismatic Max, an aging
April 10, 2008Super Reviewer
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