Happy, Happy (2011)
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Critic Reviews for Happy, Happy
Sewitsky is a bit too fond of the handheld camera, but she is immediate, close. Her first picture, daring title and all, takes an empathic look at a permanent puzzle.
A thoughtful, nicely played melodrama, bordering on patronising in its depiction of rural folk, but staying on the right side of the line - thanks to sympathetic performances.
The curdled Norwegian comedy-drama "Happy, Happy," which dissects a pair of poisoned marriages, is sometimes heavy-handed (like its title) but has much to recommend it.
Sewitsky aims for quirky humanism along the lines of Finland's Aki Kaurismaki; she's helped along considerably by Kittelsen's sunny performance, though the film crosses over into Scandinavian kitsch with a series of country-swing interludes.
It is short and intense enough that it always seems on track, even if the train goes nowhere.
Audience Reviews for Happy, Happy
An attempt at quirkiness...kind of failed. The movie itself wasn't bad, but it just seemed pointless. Apparently, someone suggested add some guys that sing a little diddy every so often, and people will love it, and say it is quirky. Nope...
'Happy, Happy'. The relationships, and the twists and turns they took got a little too far fetched for me, but loved the awkward, and unnecessarily racist humour.
I wonder how all the jokes in the scenes involving kids would go down in The States :O
In "Happy, Happy," Elisabeth(Maibritt Saerens), a lawyer, and Sigve(Henrik Rafaelsen) move with their adopted son Noa(Ram Shihab Ebedy) to a small town for a fresh start after Elisabeth's marital indiscretion. Aside from their volunteering for the local choir, they are warmly welcomed by neighbors Kaja(Agnes Kittelsen) and Eirik(Joachim Rafaelsen) who invite them over for game night. Then, Elisabeth and Sigve reciprocate in a night that soon turns confessional before Kaja gives Sigve a blow job.
You know you're in deep trouble as a non-musical film if the best part is the music, especially in the case of "Happy, "Happy" where the entertaining interludes performed by a quartet prove to be about the only reasons to watch this very murky film. Otherwise, it takes forever for the slim plot to kick in, as the movie without a true point of view is unsure of whether or not it is a comedy. To be honest, it is possible something got lost in translation or I didn't understand some Scandinavian cultural attitudes. That still can't explain the weird interaction between the boys which goes far beyond bullying.
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