Average Rating: 7.3/10
Reviews Counted: 5
Fresh: 5 | Rotten: 0
No consensus yet.
Average Rating: N/A
Critic Reviews: 1
Fresh: 1 | Rotten: 0
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Average Rating: 4.5/5
User Ratings: 5,077
This well-regarded Japanese drama follows an aging samurai as he attempts to regain his family's honor. In 17th century Japan, a shift in the country's political structure has thrown the feudal Shogun system into disuse. Impoverished samurai wander the countryside, asking wealthy estate owners if they can commit hara-kiri, a grisly form of suicide, on their property. The usual and honorable response is an offer of some work for food or shelter. Into the house of a lord comes Hanshiro Tsugumo
Unrated, 2 hr. 15 min.
Jan 1, 1962 Wide
Aug 23, 2005
All Critics (7) | Top Critics (3) | Fresh (8) | Rotten (0) | DVD (3)
A devastating, emotionally intense critique of the feudal system's hypocrisy and the warrior's code.
A masterful chess game, filled with many carefully constructed moves, each arranged to fit in a particular place. It's glorious to behold.
A deathtrap slowly closing around its characters, Harakiri exhorts the viewer to come and see the violence inherent in the samurai system.
even if Kobayashi's first period film is an exemplary tale speaking as much to our own times as to Japan's feudal era, it is also a ripping yarn, keeping the viewer gripped with its jigsaw structure and intense performances.
[Director] Kobayashi hasn't achieved the same level of North American recognition as many of his peers, but this may be his masterwork.
While avoiding (even criticizing) the epic scale inherent in samurai films, it's thrilling and involving in ways that few straight genre films accomplish.
A powerful critique of the feudal system, the hipocrisy and the persecution of individuality. The parade of a false sense of "honor" that sacrifices human beings for the sake of a facade, an illusion of prosperity, of doing the "right" thing. Kobayashi's direction is impecable as usual, and the cast is top-notch.
September 11, 2007
Super Reviewer
I've been waiting a long time to watch this movie, but now I've finally seen it!This movie is different from other samurai movies, because it criticizes the samurai code; Bushido, and doesn't romanticize it. Nakadai is as wonderful as ever with his colorful range of expressions, nobody else can portray as much
August 1, 2007Super Reviewer
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