Critic Consensus: Despite a thought-provoking premise and Clint Eastwood's typical flair as director, Hereafter fails to generate much compelling drama, straddling the line between poignant sentimentality and hokey tedium.
|Rating:||PG-13 (for mature thematic elements including disturbing disaster and accident images, and for brief strong language)|
|Genre:||Mystery & Suspense, Drama|
|Directed By:||Clint Eastwood|
|Written By:||Peter Morgan|
|In Theaters:||Oct 22, 2010 Wide|
|On DVD:||Mar 15, 2011|
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as George Lonegan
as Marie Lelay
as Dr. Rousseau
as Jackie's Friend
as Jackie's Friend
as Guillaume Belcher
as Dr. Meredith
as Island Hotel Clerk
as Stall Owner
as Island Girl
as Social Worker
as Social Worker
as Reporter Jasmine
as TV Producer
as Factory Worker
as Cooking Teacher Carl...
as Publishing Executive...
as Foster Mother
as Foster Father
as Marcus' Teacher
as Islamic Teacher
as Hospice Receptionist
as Dying Woman
as Hospice Husband
as Hospice Mother
as Hospice Father
as Union Rep
as Factory Supervisor
as College Receptionist
as Mirror Lady
as Mrs. Joyce
as Tour Guide
as Bearded Author
as Hotel Receptionist
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Critic Reviews for Hereafter
More concerned with loneliness in this life than anything that happens after death
Eastwood fails to infuse any moments of suspense or heart into the story and when all is said and done, Hereafter is an anticlimactic, sleepy and momentum-less mess of a film.
Clint Eastwood's late life/late career fascination with mortality, death and grieving devolves, at long last, into a cheap parlor trick in Hereafter.
Superficially satisfying but oftentimes disappointing, "Hereafter" focuses on three major stories, one of which works far better than the other two.
Audience Reviews for Hereafter
Clint Eastwood has always made very good films, and here he crafts something is riveting, thrilling and captivating, and it's a film that is quite underrated and is an overlooked film that is much better than what the initial reviews have stated. The film has its weak parts, but overall, it's a solid affair, that is salvaged by terrific performances by its cast and a good storyline. I quite enjoyed the film's story, and thought that the concept was quite good as well. Matt Damon does some very good work here, and is aided by a great cast of varied talent, that all of whom really deliver something worthwhile on-screen. This is a well directed drama from Clint Eastwood, a director who has always managed to craft some entertaining and memorable films. Although not one of his finest efforts, the film is worth seeing and is quite good for what it is, but at times it could have been slightly better as well as the story does slow down a bit at times. Nonetheless due to terrific direction from Clint Eastwood and memorable performances from its cast, Hereafter works well enough to grab your attention for two hours of solid entertainment. Although not one of Eastwood's strongest directorial efforts, this most certainly not his worst either. If you enjoy a well crafted drama with good performances, Hereafter is a worthy film to watch. The picture tells a very good story, one that does deserve more praise than it does, and for what it is, it's a film that tells a very good story and despite its shortcomings is quite enthralling from the first frame onwards, and under the capable direction of Clint Eastwood is a worthwhile affair.
A long movie dealing with response to death - involving three non-related people. To me, the connection between the three was contrived, so I thought it didn't end well.
A medium and two people with near-death experiences collide eventually.
A rather pedestrian secular meditation on death and the afterlife, Clint Eastwood's ocean-crossing film is buoyed only by strong performances by Matt Damon and Cecile de France. Its plot is plodding, and the eventual meeting of these characters predictable, but Damon is a rare actor who is able to make his characters more interesting in moments of weakness. George's fear of human connection and his rejection of his gift are made palpable in Damon's work - so much so that even the obviously expository scene with Jay Mohr are watchable. De France's tenacious Marie, also a character so obvious to the plot that she defies believability and smells of convenience, is a nice counter-balance to the film.
Overall, this is far from a strong film, but good performances can do a lot.
|George:||If your worried of being on your own, don't be your not.|
|Billy:||You have a duty to do it, because it's a gift.|
|George:||It's not a gift Billy, it's a curse.|
|George Lonegan:||He says if you're worried about being on your own, don't be. You're not.|
|Marie Lelay:||You know, as a scientist and atheist my mind was closed to such things.|
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