Hitlers Hitparade (2005)

Hitlers Hitparade

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: No consensus yet.


Movie Info

Adolf Hitler and the men who helped him engineer the Third Reich had a keen insight into the power of propaganda, and their embrace of it didn't stop with public rallies and political speeches. The influence of Nazi philosophy was introduced into all aspects of German culture, from popular music to movie musicals to animated cartoons. Hitler's Hit Parade is a disquieting documentary assembled from vintage German film clips, newsreels, home movies, and recordings which offer a look at German pop … More

Rating: Unrated
Genre: Documentary , Musical & Performing Arts , Art House & International
Directed By: ,
In Theaters:
Runtime:

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Critic Reviews for Hitlers Hitparade

All Critics (13) | Top Critics (6)

While never fully fleshing out its thesis linking the mythology of popular culture with the false ideals propagated by the regime, it does offer an evocative portrait of a country fiddling while it, and much of the world, burns.

January 13, 2005
Hollywood Reporter
Top Critic

Rare film-clips of what passed for Nazi normality do not materialize every day, and pic is decidedly worth a look-see.

Full Review… | January 5, 2005
Variety
Top Critic

This German documentary gathers some of the products of the German culture industry from the 1930's and 40's into a monstrous and fascinating collage.

Full Review… | January 5, 2005
New York Times
Top Critic

If not as informative as it could be, Hitler's Hit Parade remains truly disturbing, as we see an entire cultured population led astray by bread and circuses and popular nonsense.

Full Review… | January 5, 2005
Newark Star-Ledger
Top Critic

With no intertitles, narration or timeline, Hitler's Hit Parade is more art film than documentary; it's a mistaken strategy.

Full Review… | January 5, 2005
Newsday
Top Critic

The flow of images has a terrible inexorability. Watching this movie is like watching people pirouette gaily off a cliff.

Full Review… | January 4, 2005
Village Voice
Top Critic

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