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Movies / Upcoming / The Holy Girl
The Holy Girl

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The Holy Girl (2005)

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Reviews Counted:56

Fresh:43

Rotten:13

Average Rating:6.9/10

Consensus: This provocative, lyrical drama mixes themes of forbidden sexuality and redemptive faith with a touch of humanism in a memorable, if disorienting, visual style.

Rated: R [See Full Rating] for some sexual content and brief nudity.

Runtime: 1 hr 46 mins

Genre: Foreign Films

Theatrical Release:Apr 29, 2005 Limited

Box Office: $234,013

Synopsis: With her award-winning feature-film debut, La Ciénaga (The Swamp) (2001), writer-director Lucrecia Martel emerged as one of the brightest figures of the new Argentinean cinema. In her follow up,... With her award-winning feature-film debut, La Ciénaga (The Swamp) (2001), writer-director Lucrecia Martel emerged as one of the brightest figures of the new Argentinean cinema. In her follow up, the 2004 Cannes Film Festival Competition entry, LA NIÑA SANTA (THE HOLY GIRL), Martel intimately explores the burgeoning sexuality and religious fervor of two teenage girls, Amalia (MARIA ALCHÉ) and her best friend, Josefina (JULIETA ZYLBERBERG). Artfully piecing together a mosaic of nuanced details, fragments of sounds, and small moments, Martel creates a potent and specific portrait of adolescent life. In the town of La Ciénaga, Amalia lives with her attractive, divorced mother, Helena (MERCEDES MORÁN), and her uncle, Freddy (ALEJANDRO URDAPILLETA), in the crumbling, run-down Hotel Termas, which her family owns and runs. After choir rehearsals the girls gather in the parish church for further instruction in faith and vocation. What does God want from me? How do I discern between the temptation of the Devil and the calling of God? In between the teachings, the girls gossip and whisper secretively. The lives of the girls and their families intersect with those of a group of visiting orhinolaryngologists (ear, nose and throat specialists) staying at the hotel for a medical convention, including the married, middle-aged Dr. Jano (CARLOS BELLOSO). One day, a crowd of people gather in the street to watch a man play an unusual, exotic instrument: a theremin. Amalia is in the crowd when a man standing behind her presses himself sexually against her. Later, in the hotel, she discovers that this man is Dr. Jano, one of the doctors attending the conference. Amalia finds herself drawn to the Doctor and for days she spies on him. Dr. Jano never notices her presence, but he does notice her mother, Helena. Helena greatly enjoys the attention from this man, but she has little hope as she knows he is married and has a family. Days afterward Amalia confides in Josefina what occurred in the street with Dr. Jano and of her secret mission: to save one man from sin. Dr. Jano becomes caught up in Amalia’s web of good intentions and the respected doctor finds his world is on the brink of collapse when her adolescent obsession sets off a chain reaction of social catastrophe. Understanding the temptation of good - and the evil it causes - LA NIÑA SANTA delicately explores themes of sin, frustration and desire. -- © Official Site [More]

Starring: Mercedes Moran, Carlos Belloso

Starring: Mercedes Moran, Carlos Belloso

Director: Lucrecia Martel

Director: Lucrecia Martel
Studio: Fine Line Features

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Reviews for The Holy Girl

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1 - 20 (sorted by date)
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Click to read the article

Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine
N/R

Click to read the article

Full Review Source: Combustible Celluloid | comment Comment
05/26/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
02/09/06
Time Out

Some of The Holy Girl is hard to follow, but the reward is Martel's ability to create a spiritual yet subtly lecherous mood.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
10/27/05
Michele Kenner
Michele Kenner
Milwaukee Journal Sentinel
N/R

Click to read the article

Full Review Source: AV Club | comment Comment
09/26/05
AV Club

Martel's distinctive and fascinatingly innovative style warrants her being considered as an auteur.

Full Review Source: Ozus' World Movie Reviews | comment Comment
09/22/05
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

...at once humane, encompassing every shade of gray, and bracingly cold-eyed in its assessment of human endeavor.

Full Review Source: All Movie Guide | comment Comment
09/08/05
Josh Ralske
Josh Ralske
All Movie Guide

Obviously, this one is not for all tastes, but it is an impressive showing for Argentine filmmaker Martel, who's managed to do Almodovar-type material every bit as well as her mentor.

Full Review Source: Deseret News, Salt Lake City | comment Comment
07/08/05
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

Director Lucrecia Martel's storytelling is spare to the point of being stingy.

Full Review Source: Arizona Republic | comment Comment
07/07/05
Kerry Lengel
Kerry Lengel
Arizona Republic
Top Critic Icon Top Critic

what should have been a religious experience comes off more like a botched coming-of-age tale with some pungent atmospherics.

Full Review Source: Filmcritic.com | comment Comment
06/25/05
Chris Barsanti
Chris Barsanti
Filmcritic.com

Martel's style is tentative, elusive, so much so that even the most conventional episodes benefit from her fresh perspective.

Full Review Source: Seattle Times | comment Comment
06/24/05
John Hartl
John Hartl
Seattle Times

Provokes a wealth of unsettling thought, even as it declines to pass any final judgments of its own.

Full Review Source: Seattle Post-Intelligencer | comment Comment
06/23/05
Gianni Truzzi
Gianni Truzzi
Seattle Post-Intelligencer

Alche's crooked grin is as gleeful as the nose-wriggling enchantress in Bewitched. The elliptically implicit ending reminds me of Purple Noon minus the murder.

Full Review Source: Seattle Weekly | comment Comment
06/22/05
Tim Appelo
Tim Appelo
Seattle Weekly

A very intelligent movie marked by candor and compassion.

Full Review Source: Chicago Tribune | comment Comment
06/18/05
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

Ultimately turns out to be something of a bore, a film that, like one of its main characters, wanders around touching on subjects and then fleeing before connecting fully.

Full Review Source: Detroit News | comment Comment
06/17/05
Tom Long
Tom Long
Detroit News
Top Critic Icon Top Critic

A series of fractured tales that never resolve, never explain anything, and never get any more interesting.

Full Review Source: TheMovieChicks.com | comment Comment
06/17/05
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

The subtly sinister atmosphere is certainly striking...but the story is so fragmentary and allusive that trying to make much sense of it is rather like grasping at smoke.

Full Review Source: One Guy's Opinion | comment Comment
06/17/05
Frank Swietek
Frank Swietek
One Guy's Opinion

A uniquely intriguing motion picture.

Full Review Source: Detroit Free Press | comment Comment
06/17/05
Terry Lawson
Terry Lawson
Detroit Free Press
Top Critic Icon Top Critic

The volatile plot churns with a style that toys with the rawest edge of R-rated tolerance much like American Beauty did in 1999.

Full Review Source: San Antonio Express-News | comment Comment
06/17/05
Larry Ratliff
Larry Ratliff
San Antonio Express-News

A low-key tone poem about the passions of sex and religion

Full Review Source: Dallas Morning News | comment Comment
06/16/05
Bob Strauss
Bob Strauss
Dallas Morning News
Top Critic Icon Top Critic
 
 
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