Average Rating: 7.4/10
Reviews Counted: 185
Fresh: 149 | Rotten: 36
The movie may be a downer, but it packs an emotional wallop. Some fine acting on display here.
Average Rating: 7.1/10
Critic Reviews: 37
Fresh: 29 | Rotten: 8
The movie may be a downer, but it packs an emotional wallop. Some fine acting on display here.
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Average Rating: 3.7/5
User Ratings: 82,026
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Three women, separated by a span of nearly 80 years, find themselves weathering similar crises, all linked by a single work of literature in this film adaptation of the Pulitzer Prize-winning novel by Michael Cunningham. In 1923, Virginia Woolf (Nicole Kidman) is attempting to start work on her novel Mrs. Dalloway, in which she chronicles one day in the life of a troubled woman. But Virginia has demons of her own, and she struggles to overcome the depression and suicidal impulses that have
Dec 27, 2002 Wide
Jun 24, 2003
$41.5M
Miramax Films
All Critics (197) | Top Critics (38) | Fresh (155) | Rotten (37) | DVD (30)
David Hare's screen adaptation reduces Woolf and her art to a set of feminist stances and a few plot points, without reference to style or form.
A puzzling and forbidding strangeness.
The film manages to be cinematic and transporting even though we generally spend most of our time listening to people talk to one another (and themselves).
A compelling, moving film that respects its audience and its source material.
As stunning an acting showcase as you'll find.
The acting, for the most part, is terrific, although the actors must struggle with the fact that they're playing characters who sometimes feel more like literary conceits than flesh-and-blood humans.
Smart, thoughtful movie for older teens and up.
Daldry's screen version is well acted but too literal, failing to convey the complexity or the lyricism of Cunningham's seminal novel.
More than just Oscar bait; it's a veritable Oscar bait and tackle shop.
The Hours totally engrosses me... It somehow deepens the [book's] themes to see the bodies, scrutinize the faces, smell the money, feel the flatness of the screen.
A boldly realised, affecting work.
The film's true star is its script.
Life may or may not be everything it's cracked up to be. This movie most definitely is.
If this movie is about how some choose not to live, it's also just as much about why others choose to go on.
Does make you think, but it doesn't entertain.
'In a sublime collaboration, David Hare and Stephen Daldry have created a delicate atmosphere of inchoate sadness.'
It works like the best poetry, giving us room to explore ideas and issues instead of narrowing itself to simple moral lessons.
Lost we become in story telling that emphasizes cuts and coincidences, leaving serious characterization gaps.
A feminist diatribe and it's true to its core as it shows men as marginalized.
I had this for months and wouldn't watch it, afraid of what it might say while unclear as to what that might be. Well, its about living a life of quiet, inexpressible desperation. Yes, there are bits of feminist posturing done, all for one and one for all, "we are all brothers, er, sisters united", but the hefty
July 18, 2007Super Reviewer
The movie spans different times, following the lives of three women. Nicole Kidman plays Virginia Wolfe, quite unrecognisably.
November 10, 2007
Super Reviewer
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| 36% | Red Tails |
| 88% | Certified Copy (Copie Conforme) |
Red Tails, This Means War
Pictures: Wes Anderson films
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