Average Rating: 5.2/10
Reviews Counted: 28
Fresh: 17 | Rotten: 11
No consensus yet.
Average Rating: 5/10
Critic Reviews: 10
Fresh: 8 | Rotten: 2
No consensus yet.
Average Rating: 3.6/5
User Ratings: 16,621
Before sunrise on August 29, 2005, Nolan Hayes (PAUL WALKER) arrives at a New Orleans hospital with his pregnant wife, Abigail (GENESIS RODRIGUEZ), who has gone into early labor. What should be one of the happiest days of Nolan's life quickly spirals out of control when the birth goes tragically wrong and Hurricane Katrina ravages the hospital, forcing an evacuation. Told to stay with his child, who is on a ventilator, and await transfer by ambulance, Nolan and his newborn are soon cut off from
Dec 13, 2013 Limited
Mar 4, 2014
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Walker's performance - along with the film - gets more and more engrossing.
While uneven, the film is uniquely involving - right down to a final shot that will break your heart into a million pieces.
Hurricane Katrina has already been pretty thoroughly mined for documentaries and fictional stories, but "Hours" holds your interest nonetheless.
Most of the movie elicits tense empathy, which builds to a genuinely nerve-wracking sense of dread.
Take away the on-the-nose title and some half-hearted stabs at symbolism, and what's left is a B-thriller of the "they don't make 'em like they used to" variety.
Hours has a great B-movie premise, but at 97 minutes, the strain of keeping the story going, and throwing more obstacles in Nolan's way, starts to show.
Could've marked a turning point in Paul Walker's career to more interesting and demanding projects post-age-40.
A lean, palpably tense thriller. Paul Walker gives the best performance of his career.
As one of the last completed roles by [Paul Walker]...it feels nice to be able to luxuriate in the actor's presence. In another set of circumstances, Hours could have proved to other filmmakers what the actor was capable of
The chemistry Walker shares with Rodriguez is terrific as the two played off of each other perfectly.
Called upon to carry almost the entire movie by himself, Walker has a tough time mustering genuine emotion, although he does better in the few legitimately tense scenes.
[Paul Walker's] need to show off, which marred his turn in the 2005 whatzit 'Running Scared,' usually disappears, he relaxes and suddenly he seems like an actor who could only have gotten better.
For those who wish to see [Walker] at his best, "Hours" is worth the time.
Walker's working hard here, and he has to carry the entire show, but many of the interactions he has with the other characters are melodramatic, the dialogue often feels flimsy, and the script stretches to give him more problems to take on.
Represents a change of pace for the performer, who delivers some of his best work in this odd thriller, which somehow transfers the bomb-on-a-bus concept of "Speed" to an infant-on-a-incubator ride of suspense and heartbreaking stakes.
Even when the movie and some ill-advised lighter moments let him down, Walker holds his own.
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