The result isn't very funny, and its sexual politics are as muddled as you'd expect, but Faris is sweet and likable as the sort of wise dumbbell Judy Holliday used to play.
The House Bunny (2008)
Tomatometer
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Reviews Counted:21
Fresh:7
Rotten:14
Average Rating:5.1/10
Consensus: Anna Faris is game, but she can't salvage this middling, formulaic comedy.
Rated: PG-13 [See Full Rating] for sex-related humor, partial nudity and brief strong language.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:Aug 22, 2008 Wide
Box Office: $48,237,389
Synopsis: Comic actress Anna Faris (LOST IN TRANSLATION, SCARY MOVIE) shines in her starring turn in THE HOUSE BUNNY, a hilarious and heartfelt tale of female empowerment. As the film opens, Shelly... Comic actress Anna Faris (LOST IN TRANSLATION, SCARY MOVIE) shines in her starring turn in THE HOUSE BUNNY, a hilarious and heartfelt tale of female empowerment. As the film opens, Shelly Darlingson (Farris) is Big Bunny on Campus at Hugh Hefner's Playboy Mansion. With her 27th birthday approaching, Shelly eagerly anticipates fulfilling her dream: to be centerfold of the month. But when she learns that she's being booted from Bunnyland, Shelly finds herself with no family or place to call home. Desperate for both, she lucks across the socially inept sisters of the Zeta Alpha Zeta sorority. With no hope of attracting new pledges and the consequent threat of losing their sorority, the girls of Zeta take in the bubbly Shelly as their new "house mother." Shelly immediately sets to work helping the Zetas bring out their inner glamazons, luring in boys while drawing the ire of rival sorority Phi Iota Mu. Shelly also catches the eye of Oliver (Colin Hanks), who forces her to realize that it will take more her Playboy Mansion ways to win over a good man. Plus, Shelly discovers that her social insights have transformed the Zetas into the very superficial types they once railed against. And when Hugh Hefner calls to offer Shelly her dream centerfold shoot, she must choose between returning to the family that loved her best and saving the family that needs her most. Faris (who co-produced the film) is a comic delight as Shelly, with a perfect blend of sexy charm and sweet-natured cluelessness. Supported by an excellent cast of fresh faces and seasoned veterans, THE HOUSE BUNNY is an irresistible tale of inner beauty and "sisters" sticking together. [More]
Starring: Anna Faris, Colin Hanks, Emma Stone, Katharine McPhee
Starring: Anna Faris, Colin Hanks, Emma Stone, Katharine McPhee, Rumer Willis, Beverly D'Angelo
Director: Fred Wolf
Director: Fred Wolf
Screenwriter: Karen McCullah Lutz, Kirsten Smith
Producer: Adam Sandler, Jack Giarraputo, Allen Covert, Heather Parry
Composer: Waddy Wachtel
Studio: Sony Pictures Entertainment
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Release:
Dec 19, 2008
Reviews for The House Bunny
[Faris] gives an A performance in the kind of farce from which she's more than ready to graduate.
The House Bunny gets the difference between being openhearted and empty-headed.
Puts a cheerful spin on its many cliches. This particular wheel hasn't been reinvented, but at least it gets a nice fresh coat of bubblegum-pink paint and a star to pilot it with aplomb.
The House Bunny may be what some boys like, but there are doubtless moviegoers out there of both sexes who would like to see Faris hop into some decent onscreen material.
The plot is beyond predictable. Seriously, write down every scene from Legally Blonde and Revenge of the Nerds on index cards, shuffle and then deal your movie.
[A] hodgepodge of unfunny, sophomoric humor and PG-13 T&A, frosted by a sheen of appallingly nauseous 'drama.'
This is pretty much a one-woman show for Faris, and she doesn't get much help from director Fred Wolf.
In The House Bunny, Anna Faris steps up to her first full-fledged leading role and falls right on her adorable face.
The transformed Shelley loses some of her Tammy Faye eyeliner but little of her precious dimness, careful not to violate the broad streak of anti-intellectualism that Hollywood has always reflected and reinforced in the American psyche.
Say this for Faris: Even though The House Bunny may be, she's not -- dumb.
It doesn't turn any corners, it's lazy, and it's content to keep playing dumb long after it's really funny.
Despite a winning performance by Anna Faris, the film falls on its keister so many times that before long the perky pinkness turns bruising black-and-blue.
The purpose of this comedy is to serve as a showcase for Anna Faris, whose sunny disposition and solid comic timing make The House Bunny more enjoyable than it ought to be.
The House Bunny is a blissfully broad comedy that should catapult Anna Faris into a singular kind of stardom.
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